Lolita - Vladimir Nabokov [69]
By putting the geography of the United States into motion, I did my best for hours on end to give her the impression of “going places,” of rolling on to some definite destination, to some unusual delight. I have never seen such smooth amiable roads as those that now radiated before us, across the crazy quilt of forty-eight states. Voraciously we consumed those long highways, in rapt silence we glided over their glossy black dance floors. Not only had Lo no eye for scenery but she furiously resented my calling her attention to this or that enchanting detail of landscape; which I myself learned to discern only after being exposed for quite a time to the delicate beauty ever present in the margin of our undeserving journey. By a paradox of pictorial thought, the average lowland North-American countryside had at first seemed to me something I accepted with a shock of amused recognition because of those painted oilcloths which were imported from America in the old days to be hung above washstands in Central-European nurseries, and which fascinated a drowsy child at bed time with the rustic green views they depicted—opaque curly trees, a barn, cattle, a brook, the dull white of vague orchards in bloom, and perhaps a stone fence or hills of greenish gouache. But gradually the models of those elementary rusticities became stranger and stranger to the eye, the nearer I came to know them. Beyond the tilled plain, beyond the toy roofs, there would be a slow suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peach tinge pervading the upper edge of a two-dimensional, dove-gray cloud fusing with the distant amorous mist. There might be a line of spaced trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and Claude Lorrain clouds inscribed remotely into misty azure with only their cumulus part conspicuous against the neutral swoon of the background. Or again, it might be a stern El Greco horizon, pregnant with inky rain, and a passing glimpse of some mummy-necked farmer, and all around alternating strips of quick-silverish water and harsh green corn, the whole arrangement opening like a fan, somewhere in Kansas.
Now and then, in the vastness of those plains, huge trees would advance toward us to cluster self-consciously by the roadside and provide a bit of humanitarian shade above a picnic table, with sun flecks, flattened paper cups, samaras and discarded ice-cream sticks littering the brown ground. A great user of roadside facilities, my unfastidious Lo would be charmed by toilet signs—Guys-Gals, John-Jane, Jack-Jill and even Buck’s-Doe’s; while lost in an artist’s dream, I would stare at the honest brightness of the gasoline paraphernalia against the splendid green of oaks, or at a distant hill scrambling out—scarred but still untamed—from the wilderness of agriculture that was trying to swallow it.
At night, tall trucks studded with colored lights, like dreadful giant Christmas trees, loomed in the darkness and thundered by the belated little sedan. And again next day a thinly populated sky, losing its blue to the heat, would melt overhead, and Lo would clamor for a drink, and her cheeks would hollow vigorously over the straw, and the car inside would be a furnace when we got in again, and the road shimmered ahead, with a remote car changing its shape mirage-like in the surface glare, and seeming to hang for a moment, old-fashionedly square and high, in the hot haze. And as we pushed westward, patches of what the garage-man called “sage brush” appeared, and then the mysterious outlines of table-like hills, and then red bluffs ink-blotted with junipers, and then a mountain range, dun grading into blue, and blue into dream, and the desert would meet us with a steady gale, dust, gray thorn bushes, and hideous bits of tissue paper mimicking pale flowers among the prickles of wind-tortured withered stalks all along the highway; in the middle of which there sometimes stood simple cows, immobilized in a position (tail left, white eyelashes right) cutting across all human rules of traffic.