All the King's Men - Robert Penn Warren [199]
Just as we were ready to walk out of the apartment, he stepped to the mantelpiece and picked up the stamped letters waiting there to be mailed. I had spotted the top envelope already, the one address to the Boss. So as he turned around with the letters in his hand, I simply lifted that one out of his grasp, said with my best smile, “Hell, you haven’t got any use for this in the daylight,” and tore it across and put the pieces into my pocket.
Then we went out back and got into his car. I rode with him all the way to his office. I would have sat with him all day to keep an eye on him if it had been possible. Anyway, I chatted briskly all the way down-town to keep his mind clear. My chatter was as gay and sprightly as bird song.
So the summer moved on, swelling slowly like a great fruit, and everything was as it had been before. I went to my office. I went back to my hotel and sometimes ate a meal and sometimes did not and lay under the fan and read till late. I saw the same faces, Duffy, the Boss, Sadie Burke, all the faces I had known for a long time and saw so often I didn’t notice the changes in them. But I did not see Adam and Anne for a while. And I had not seen Lucy Stark for a long time. She was living out in the country now. The Boss would still go out to see her now and then, to keep up appearances, and have his picture taken among the white leghorns. Sometimes Tom Stark would stand there with him and, perhaps, Lucy, with the white leghorns in the foreground and a wire fence behind. Governor Willie Stark and Family, the caption would read.
Yes, those pictures were an asset to the Boss. Half the people in the state knew that the Boss had been tom-catting around for years, but he pictures of the family and the white leghorns gave the voters a nice warm glow, it made them feel solid, substantial, and virtuous, it made them think of gingerbread and nice cold buttermilk, and if somewhere not too far in the wings there was a flicker of a black-lace negligee and a whiff of musky perfume, then, “Well, you can’t blame him a-taken hit, they put hit up to him.” It only meant that the Boss was having it both ways, and that seemed a mark of the chosen and superior. It was what the voter did when he shook loose and came up to town to the furniture dealers’ convention and gave the bellhop a couple of bucks to get him a girl up to the room. Or if he wasn’t doing it classy, he rode into town with his truckload of hogs and for two bucks got the whole works down at a crib. But either way, classy or crib, the voter knew what it meant, and he wanted both Mom’s gingerbread and the black-lace negligee and didn’t hold it against the Boss for having both. What he would have held against the Boss was a divorce. Anne was right about that. It would have hurt even the Boss. That would have been very different, and would have robbed the voter of something he valued, the nice warm glow of complacency, the picture that flattered him and his own fat or thin wife standing in front of the henhouse.
Meanwhile, if the voter knew that the Boss had been tom-catting for years, and could name the names of half of the ladies involved, he didn’t know about Anne Stanton. Sadie had found out, but that was no miracle. But as far as I could detect, nobody else knew, not even Duffy with his wheezing, elephantine with and leer. Maybe Sugar-Boy knew, but he could be depended upon. He knew everything. The Boss didn’t mind telling anything in front of Sugar-Boy, or close to it–anything, that is, that he would tell. Which probably left a lot untold, at that. Once Congressman Randall was in the Boss’s library with him, Sugar-Boy, and me, pacing up and down the floor, and the Boss was giving him play-by-play instructions on how to conduct himself when the Milton-Broderick Bill was presented to Congress. Te instructions were pretty frank, and the Congressman kept looking nervously at Sugar-Boy. The Boss noticed him.