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Zuleika Dobson - Max Beerbohm [92]

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—"To what end?" Her eyes ranged along the tables, and an appalling sense of loneliness swept over her. She turned away, wrapping the folds of her cloak closer across her breast. Not in this College only, but through and through Oxford, there was no heart that beat for her—no, not one, she told herself, with that instinct for self-torture which comes to souls in torment. She was utterly alone to-night in the midst of a vast indifference. She! She! Was it possible? Were the gods so merciless? Ah no, surely...

Down at the high table the feast drew to its close, and very different was the mood of the feasters from that of the young woman whose glance had for a moment rested on their unromantic heads. Generations of undergraduates had said that Oxford would be all very well but for the dons. Do you suppose that the dons had had no answering sentiment? Youth is a very good thing to possess, no doubt; but it is a tiresome setting for maturity. Youth all around prancing, vociferating, mocking; callow and alien youth, having to be looked after and studied and taught, as though nothing but it mattered, term after term—and now, all of a sudden, in mid-term, peace, ataraxy, a profound and leisured stillness. No lectures to deliver to-morrow; no "essays" to hear and criticise; time for the unvexed pursuit of pure learning...

As the Fellows passed out on their way to Common Room, there to tackle with a fresh appetite Pedby's grace, they paused, as was their wont, on the steps of the Hall, looking up at the sky, envisaging the weather. The wind had dropped. There was even a glimpse of the moon riding behind the clouds. And now, a solemn and plangent token of Oxford's perpetuity, the first stroke of Great Tom sounded.

XXII


Stroke by stroke, the great familiar monody of that incomparable curfew rose and fell in the stillness.

Nothing of Oxford lingers more surely than it in the memory of Oxford men; and to one revisiting these groves nothing is more eloquent of that scrupulous historic economy whereby his own particular past is utilised as the general present and future. "All's as it was, all's as it will be," says Great Tom; and that is what he stubbornly said on the evening I here record.

Stroke by measured and leisured stroke, the old euphonious clangour pervaded Oxford, spreading out over the meadows, along the river, audible in Iffley. But to the dim groups gathering and dispersing on either bank, and to the silent workers in the boats, the bell's message came softened, equivocal; came as a requiem for these dead.

Over the closed gates of Iffley lock, the water gushed down, eager for the sacrament of the sea. Among the supine in the field hard by, there was one whose breast bore a faint-gleaming star. And bending over him, looking down at him with much love and pity in her eyes, was the shade of Nellie O'Mora, that "fairest witch," to whose memory he had to-day atoned.

And yonder, "sitting upon the river-bank o'ergrown," with questioning eyes, was another shade, more habituated to these haunts—the shade known so well to bathers "in the abandoned lasher," and to dancers "around the Fyfield elm in May." At the bell's final stroke, the Scholar Gipsy rose, letting fall on the water his gathered wild-flowers, and passed towards Cumnor.

And now, duly, throughout Oxford, the gates of the Colleges were closed, and closed were the doors of the lodging-houses. Every night, for many years, at this hour precisely, Mrs. Batch had come out from her kitchen, to turn the key in the front-door. The function had long ago become automatic. To-night, however, it was the cue for further tears. These did not cease at her return to the kitchen, where she had gathered about her some sympathetic neighbours—women of her own age and kind, capacious of tragedy; women who might be relied on; founts of ejaculation, wells of surmise, downpours of remembered premonitions.

With his elbows on the kitchen table, and his knuckles to his brow, sat Clarence, intent on belated "prep." Even an eye-witness of disaster may pall if he repeat his story too often. Clarence had noted in the last recital that he was losing his hold on his audience. So now he sat committing to memory the names of the cantons of Switzerland, and waving aside with a harsh gesture such questions as were still put to him by the women.

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