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Wings of the Dove (Barnes & Noble Classi - Henry James [83]

By Root 16424 0
“put on” and, for that matter, put off, all the marks of the product of a packed society who should be at the same time the heroine of a strong story. She placed this striking young person from the first in a story, saw her, by a necessity of the imagination, for a heroine, felt it the only character in which she wouldn’t be wasted; and this in spite of the heroine’s pleasant abruptness, her forbearance from gush, her umbrellas and jackets and shoes—as these things sketched themselves to Milly—and something rather of a breezy boy in the carriage of her arms and the occasional freedom of her slang.

When Milly had settled that the extent of her good will itself made her shy, she had found for the moment quite a sufficient key, and they were by that time thoroughly afloat together. This might well have been the happiest hour they were to know, attacking in friendly independence their great London—the London of shops and streets and suburbs oddly interesting to Milly, as well as of museums, monuments, “sights” oddly unfamiliar to Kate, while their elders pursued a separate course; these two rejoicing not less in their intimacy and each thinking the other’s young woman a great acquisition for her own. Milly expressed to Susan Shepherd more than once that Kate had some secret, some smothered trouble, besides all the rest of her history; and that if she had so good-naturedly helped Mrs. Lowder to meet them this was exactly to create a diversion, to give herself something else to think about. But on the case thus postulated our young American had as yet had no light: she only felt that when the light should come it would greatly deepen the colour; and she liked to think she was prepared for anything. What she already knew moreover was full, to her vision, of English, of eccentric, of Thackerayan character 10—Kate Croy having gradually become not a little explicit on the subject of her situation, her past, her present, her general predicament, her small success, up to the present hour, in contenting at the same time her father, her sister, her aunt and herself. It was Milly’s subtle guess, imparted to her Susie, that the girl had somebody else as well, as yet unnamed, to content—it being manifest that such a creature couldn’t help having; a creature not perhaps, if one would, exactly formed to inspire passions, since that always implied a certain silliness, but essentially seen, by the admiring eye of friendship, under the clear shadow of some probably eminent male interest. The clear shadow, from whatever source projected, hung at any rate over Milly’s companion the whole week, and Kate Croy’s handsome face smiled out of it, under bland skylights, in the presence alike of old masters passive in their glory and of thoroughly new ones, the newest, who bristled restlessly with pins and brandished snipping shears.

It was meanwhile a pretty part of the intercourse of these young ladies that each thought the other more remarkable than herself—that each thought herself, or assured the other she did, a comparatively dusty object and the other a favourite of nature and of fortune and covered thereby with the freshness of the morning. Kate was amused, amazed, at the way her friend insisted on “taking” her, and Milly wondered if Kate were sincere in finding her the most extraordinary—quite apart from her being the most charming—person she had come across. They had talked, in long drives, and quantities of history had not been wanting—in the light of which Mrs. Lowder’s niece might superficially seem to have had the best of the argument. Her visitor’s American references, with their bewildering immensities, their confounding moneyed New York, their excitements of high pressure, their opportunities of wild freedom, their record of used-up relatives, parents, clever eager fair slim brothers—these the most loved—all engaged, as well as successive superseded guardians, in a high extravagance of speculation and dissipation that had left this exquisite being her black dress, her white face and her vivid hair as the mere last broken link: such a picture quite threw into the shade the brief biography, however sketchily amplified, of a mere middle-class nobody in Bayswater. And though that indeed might be but a Bayswater way of putting it, in addition to which Milly was in the stage of interest in Bayswater ways, this critic so far prevailed that, like Mrs. Stringham herself, she fairly got her companion to accept from her that she was quite the nearest approach to a practical princess Bayswater could hope ever to know. It was a fact

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