Wings of the Dove (Barnes & Noble Classi - Henry James [124]
There was a finer instant, however, at which three ladies, clearly a mother and daughters, had paused before her under compulsion of a comment apparently just uttered by one of them and referring to some object on the other side of the room. Milly had her back to the object, but her face very much to her young compatriot, the one who had spoken and in whose look she perceived a certain gloom of recognition. Recognition, for that matter, sat confessedly in her own eyes: she knew the three, generically, as easily as a school-boy with a crib in his lap would know the answer in class; she felt, like the school-boy, guilty enough—questioned, as honour went, as to her right so to possess, to dispossess, people who hadn’t consciously provoked her. She would have been able to say where they lived, and also how, had the place and the way been but amenable to the positive; she bent tenderly, in imagination, over marital, paternal Mr. Whatever-he-was, at home, eternally named, with all the honours and placidities, but eternally unseen and existing only as some one who could be financially heard from. The mother, the puffed and composed whiteness of whose hair had no relation to her apparent age, showed a countenance almost chemically clean and dry; her companions wore an air of vague resentment humanised by fatigue; and the three were equally adorned with short cloaks of coloured cloth surmounted by little tartan hoods. The tartans were doubtless conceivable as different, but the cloaks, curiously, only thinkable as one. “Handsome? Well, if you choose to say so.” It was the mother who had spoken, who herself added, after a pause during which Milly took the reference as to a picture: “In the English style.” The three, pair of eyes had converged, and their possessors had for an instant rested, with the effect of a drop of the subject, on this last characterisation—with that, too, of a gloom not less mute in one of the daughters than murmured in the other. Milly’s heart went out to them while they turned their backs; she said to herself that they ought to have known her, that there was something between them they might have beautifully put together. But she had lost them also—they were cold; they left her in her weak wonder as to what they had been looking at. The “handsome” disposed her to turn—all the more that the “English style” would be the English school, which she liked; only she saw, before moving, by the array on the side facing her, that she was in fact among small Dutch pictures. The action of this was again appreciable—the dim surmise that it wouldn’t then be by a picture that the spring in the three ladies had been pressed. It was at all events time she should go, and she turned as she got on her feet. She had had behind her one of the entrances and various visitors who had come in while she sat, visitors single and in pairs—by one of the former of whom she felt her eyes suddenly held.
This was a gentleman in the middle of the place, a gentleman who had removed his hat and was for a moment, while he glanced, absently, as she could see, at the top tier of the collection, tapping his forehead with his pocket-handkerchief. The occupation held him long enough to give Milly time to take for granted-and a few seconds sufficed—that his face was the object just observed by her friends. This could only have been because she concurred in their tribute, even qualified; and indeed “the English style” of the gentleman—perhaps by instant contrast to the American—was what had had the arresting power. This arresting power, at the same time—and that was the marvel—had already sharpened almost to pain, for in the very act of judging the bared head with detachment she felt herself shaken by a knowledge of it. It was Merton Densher’s own, and he was standing there, standing long enough unconscious for her to fix him and then hesitate. These successions were swift, so that she could still ask herself in freedom if she had best let him see her. She could still reply to this that she shouldn’t like him to catch her in the effort to prevent it; and she might further have decided that he was too preoccupied to see anything had not a perception intervened that surpassed the first in violence. She was unable to think afterwards how long she had looked at him before knowing herself as otherwise looked at; all she was coherently to put together was that she had had a second recognition without his having noticed her. The source of this latter shock was nobody less than Kate Croy