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Under the Volcano - Malcolm Lowry [6]

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án.--Parián! To his right towered the prison walls. Up on the watchtower, just visible above them, two policemen peered east and west with binoculars. M. Laruelle crossed a bridge over the river, then took a short cut through a wide clearing in the woods evidently being laid out as a botanical garden. Birds came swarming out of the southeast: small, black, ugly birds, yet too long, something like monstrous insects, something like crows, with awkward long tails, and an undulating, bouncing, laboured flight. Shatterers of the twilight hour, they were flapping their way feverishly home, as they did every evening, to roost within the fresno trees in the zócalo, which until nightfall would ring with their incessant drilling mechanic screech. Straggling, the obscene concourse hushed and peddled by. By the time he reached the Palace the sun had set.

In spite of his amour propre he immediately regretted having come. The broken pink pillars, in the half-light, might have been waiting to fall down on him: the pool, covered with green scum, its steps torn away and hanging by one rotting clamp, to close over his head. The shattered evil-smelling chapel, over-grown with weeds, the crumbling walls, splashed with urine, on which scorpions lurked--wrecked entablature, sad archivolt, slippery stones covered with excreta--this place, where love had once brooded, seemed part of a nightmare. And Laruelle was tired of nightmares. France, even in Austrian guise, should not transfer itself to Mexico, he thought. Maximilian had been unlucky in his palaces too, poor devil. Why did they have to call that other fatal palace in Trieste also the Miramar, where Carlotta went insane, and everyone who ever lived there from the Empress Elizabeth of Austria to the Archduke Ferdinand had met with a violent death? And yet, how they must have loved this land, these two lonely empurpled exiles, human beings finally, lovers out of their element--their Eden, without either knowing quite why, beginning to turn under their noses into a prison and smell like a brewery, their only majesty at last that of tragedy. Ghosts. Ghosts, as at the Casino, certainly lived here. And a ghost who still said: "It is our destiny to come here, Carlotta. Look at this rolling glorious country, its hills, its valleys, its volcanoes beautiful beyond belief. And to think that it is ours! Let us be good and constructive and make ourselves worthy of it!" Or there were ghosts quarrelling: "No, you loved yourself, you loved your misery more than I. You did this deliberately to us." "I?" "You always had people to look after you, to love you, to use you, to lead you. You listened to everyone save me, who really loved you." "No, you're the only person I've ever loved." "Ever? You loved only yourself." "No, it was you, always you, you must believe me, please; you must remember how we were always planning to go to Mexico. Do you remember?... Yes, you are right. I had my chance with you. Never a chance like that again!" And suddenly they were weeping together, passionately, as they stood.

But it was the Consul's voice, not Maximilian's, M. Laruelle could almost have heard in the Palace; and he remembered as he walked on, thankful he had finally struck the Calle Nicaragua even at its farthest end, the day he'd stumbled upon the Consul and Yvonne embracing there; it was not very long after their arrival in Mexico and how different the Palace had seemed to him then! M. Laruelle slackened his pace. The wind had dropped. He opened his English tweed coat (bought however from High Life, pronounced Eetchleef, Mexico City) and loosened his blue polka-dotted scarf. The evening was unusually oppressive. And how silent. Not a sound, not a cry reached his ears now. Nothing but the clumsy suction of his footsteps... Not a soul in sight. M. Laruelle felt slightly chafed too, his trousers bound him. He was getting too fat, had already got too fat in Mexico, which suggested another odd reason some people might have for taking up arms, that would never find its way into the newspapers. Absurdly, he swung his tennis racket in the air, through the motions of a serve, a return: but it was too heavy, he had forgotten about the press. He passed the model farm on his right, the buildings, the fields, the hills shadowy now in the swiftly gathering gloom. The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it. The road, which was terrible and full of pot-holes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine. Half-way across the bridge he stopped; he lit a new cigarette from the one he'd been smoking, and leaned over the parapet, looking down. It was too dark to see the bottom, but: here was finality indeed, and cleavage! Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country, though the coincidence could hardly have impressed anyone then! It was on this bridge the Consul had once suggested to him he make a film about Atlantis. Yes, leaning over just like this, drunk but collected, coherent, a little mad, a little impatient--it was one of those occasions when the Consul had drunk himself sober--he had spoken to him about the spirit of the abyss, the god of storm, "hurac

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