Ulysses - Gabler Edition [288]
—Just bears out what I was saying, he, with glowing bosom said to Stephen, about blood and the sun. And, if I don’t greatly mistake she was Spanish too.
—The king of Spain’s daughter, Stephen answered, adding something or other rather muddled about farewell and adieu to you Spanish onions and the first land called the Deadman and from Ramhead to Scilly was so and so many.
—Was she? Bloom ejaculated, surprised though not astonished by any means, I never heard that rumour before. Possible, especially there, it was as she lived there. So, Spain.
Carefully avoiding a book in his pocket Sweets of, which reminded him by the by of that Capel street library book out of date, he took out his pocketbook and, turning over the various contents it contained rapidly finally he.
—Do you consider, by the by, he said, thoughtfully selecting a faded photo which he laid on the table, that a Spanish type?
Stephen, obviously addressed, looked down on the photo showing a large sized lady with her fleshy charms on evidence in an open fashion as she was in the full bloom of womanhood in evening dress cut ostentatiously low for the occasion to give a liberal display of bosom, with more than vision of breasts, her full lips parted and some perfect teeth, standing near, ostensibly with gravity, a piano on the rest of which was In Old Madrid, a ballad, pretty in its way, which was then all the vogue. Her (the lady’s) eyes, dark, large, looked at Stephen, about to smile about something to be admired, Lafayette of Westmoreland street, Dublin’s premier photographic artist, being responsible for the esthetic execution.
—Mrs Bloom, my wife the prima donna Madam Marion Tweedy, Bloom indicated. Taken a few years since. In or about ninety six. Very like her then.
Beside the young man he looked also at the photo of the lady now his legal wife who, he intimated, was the accomplished daughter of Major Brian Tweedy and displayed at an early age remarkable proficiency as a singer having even made her bow to the public when her years numbered barely sweet sixteen. As for the face it was a speaking likeness in expression but it did not do justice to her figure which came in for a lot of notice usually and which did not come out to the best advantage in that getup. She could without difficulty, he said, have posed for the ensemble, not to dwell on certain opulent curves of the. He dwelt, being a bit of an artist in his spare time, on the female form in general developmentally because, as it so happened, no later than that afternoon he had seen those Grecian statues, perfectly developed as works of art, in the National Museum. Marble could give the original, shoulders, back, all the symmetry, all the rest. Yes, puritanisme, it does though Saint Joseph’s sovereign thievery alors (Bandez!) Figne toi trop. Whereas no photo could because it simply wasn’t art in a word.
The spirit moving him he would much have liked to follow Jack Tar’s good example and leave the likeness there for a very few minutes to speak for itself on the plea he so that the other could drink in the beauty for himself, her stage presence being, frankly, a treat in itself which the camera could not at all do justice to. But it was scarcely professional etiquette so. Though it was a warm pleasant sort of a night now yet wonderfully cool for the season considering, for sunshine after storm. And he did feel a kind of need there and then to follow suit like a kind of inward voice and satisfy a possible need by moving a motion. Nevertheless he sat tight just viewing the slightly soiled photo creased by opulent curves, none the worse for wear however, and looked away thoughtfully with the intention of not further increasing the other