Ulysses - Gabler Edition [263]
THE CITIZEN
Erin go bragh!
(Major Tweedy and the Citizen exhibit to each other medals, decorations, trophies of war, wounds. Both salute with fierce hostility.)
PRIVATE CARR
I’ll do him in.
PRIVATE COMPTON
(moves the crowd back) Fair play, here. Make a bleeding butcher’s shop of the bugger.
(Massed bands blare Garryowen and God save the king.)
CISSY CAFFREY
They’re going to fight. For me!
CUNTY KATE
The brave and the fair.
BIDDY THE CLAP
Methinks yon sable knight will joust it with the best.
CUNTY KATE
(blushing deeply) Nay, madam. The gules doublet and merry saint George for me!
STEPHEN
The harlot’s cry from street to street
Shall weave Old Ireland’s windingsheet.
PRIVATE CARR
(loosening his belt, shouts) I’ll wring the neck of any fucking bastard says a word against my bleeding fucking king.
BLOOM
(shakes Cissy Caffrey’s shoulders) Speak, you! Are you struck dumb? You are the link between nations and generations. Speak, woman, sacred lifegiver!
CISSY CAFFREY
(alarmed, seizes Private Carr’s sleeve) Amn’t I with you? Amn’t I your girl? Cissy’s your girl. (she cries) Police!
STEPHEN
(ecstatically, to Cissy Caffrey)
White thy fambles, red thy gan
And thy quarrons dainty is.
VOICES
Police!
DISTANT VOICES
Dublin’s burning! Dublin’s burning! On fire, on fire!
(Brimstone fires spring up. Dense clouds roll past. Heavy Gatling guns boom. Pandemonium. Troops deploy. Gallop of hoofs. Artillery. Hoarse commands. Bells clang. Backers shout. Drunkards bawl. Whores screech. Foghorns hoot. Cries of valour. Shrieks of dying. Pikes clash on cuirasses. Thieves rob the slain. Birds of prey, winging from the sea, rising from marshlands, swooping from eyries, hover screaming, gannets, cormorants, vultures, goshawks, climbing woodcocks, peregrines, merlins, blackgrouse, sea eagles, gulls, albatrosses, barnacle geese. The midnight sun is darkened. The earth trembles. The dead of Dublin from Prospect and Mount Jerome in white sheepskin overcoats and black goatfell cloaks arise and appear to many. A chasm opens with a noiseless yawn. Tom Rochford, winner, in athlete’s singlet and breeches, arrives at the head of the national hurdle handicap and leaps into the void. He is followed by a race of runners and leapers. In wild attitudes they spring from the brink. Their bodies plunge. Factory lasses with fancy clothes toss redhot Yorkshire baraabombs. Society ladies lift their skirts above their heads to protect themselves. Laughing witches in red cutty sarks ride through the air on broomsticks. Quakerlyster plasters blisters. It rains dragons’ teeth. Armed heroes spring up from furrows. They exchange in amity the pass of knights of the red cross and fight duels with cavalry sabres: Wolfe Tone against Henry Grattan, Smith O’Brien against Daniel O’Connell, Michael Davitt against Isaac Butt, Justin M‘Carthy against Parnell, Arthur Griffith against John Redmond, John O’Leary against Lear O’Johnny, Lord Edward Fitzgerald against Lord Gerald Fitzedward, The O’Donoghue of The Glens against The Glens of The O’Donoghue. On an eminence, the centre of the earth, rises the fieldaltar of Saint Barbara. Black candles rise from its gospel and epistle horns. From the high barbacans of the tower two shafts of light fall on the smokepalled altarstone. On the altarstone Mrs Mina Purefoy, goddess of unreason, lies, naked, fettered, a chalice resting on her swollen belly. Father Malachi O’Flynn in a lace petticoat and reversed chasuble, his two left feet back to the front, celebrates camp mass. The Reverend Mr Hugh C Haines Love M. A. in a plain cassock and mortarboard, his head and collar back to the front, holds over the celebrant’s head an open umbrella.)
FATHER MALACHI O’FLYNN
Introibo ad altare diaboli.
THE REVEREND MR HAINES LOVE
To the devil which hath made glad my young days.
FATHER MALACHI O’FLYNN
(takes from the chalice and elevates a blooddripping host) Corpus meum.
THE REVEREND MR HAINES LOVE
(raises high behind the celebrant’s petticoat, revealing his grey bare hairy buttocks between which a carrot is stuck) My body.