The Soldier's Art - Anthony Powell [15]
“Good morning, Sergeant-Major, here’s a sparrow for your cat.”
Cocksidge was, so to speak, in a chronic state of providing, at a higher level of rank, sparrows for sergeant-majors’ cats. His own habitual incivility to subordinates was humdrum enough, but the imaginative lengths to which he would carry obsequiousness to superiors displayed something of genius. He took a keen delight in running errands for anyone a couple of ranks above himself, his subservience even to majors showing the essence of humility. He had made a close, almost scientific study of the likes and dislikes of Colonel Hogbourne-Johnson and Colonel Pedlar, while the General he treated with reverence in which there was even a touch of worship, of deification. In contact with General Liddament, so extreme was his respect that Cocksidge even abated a little professional boyishness of manner, otherwise such a prominent feature of his all-embracing servility, seeming by its appealing tone to ask forbearance for his own youth and immaturity. Widmerpool, to do him justice, despised Cocksidge, an attitude Cocksidge seemed positively to enjoy. The two colonels, on the other hand, undoubtedly approved his fervent attentions, appeared even appreciative of his exaggeratedly juvenile mannerisms. In addition, it had to be admitted Cocksidge did his job competently, apart from such elaborations of his own personality. Now he came hurriedly forward with the situation report.
“Thanks, Jack,” said Colonel Pedlar.
He studied the paper, gazing at it with that earnest, apparently uncomprehending stare, of which Widmerpool had more than once complained.
“I’ve seen this,” he said. “Seems all right, Derrick. Take it back where it belongs, Jack.”
“Glad it seems all right to you, Eric,” said Colonel Hogbourne-Johnson, “because I rather flatter myself the operational staff, under my guidance, did a neat job.”
The bite in his tone should have conveyed warning. He terminated this comment, as was his habit, by giving a smirk, somehow audibly extruded from the left-hand side of his mouth, a kind of hiss, intended to underline the aptness or wit of his words. Unless in a bad humour he would always give vent to this muted sound after speaking. The fact was Colonel Hogbourne-Johnson did not attempt to conceal his own sense of superiority over a brother officer, inferior not only in appointment, regiment and mental equipment, but also in a field where Colonel Hogbourne-Johnson felt himself particularly to shine, that is to say in the arena where men of the world sparklingly perform. The play of his wit was often directed against the more leisurely intellect of Colonel Pedlar, whose efforts to keep up with all this parade of brilliance occasionally landed him in disaster. It was so on that night. After giving a glance at the situation report, he handed it back to Cocksidge, who received the document with bent head, as if at Communion or in the act of being entrusted with a relic of supreme holiness. There could be no doubt that the sit-rep had at least confirmed Colonel Pedlar in the belief that nothing remained to worry about where the exercise was concerned. At such moments as this one he was inclined to overreach himself.
“Going to finish up with a glass of port to-night, Derrick,” he asked, “now that our exertions are almost at an end?”
“Port, Eric?”
A wealth of meaning attached to the tone given by Colonel Hogbourne-Johnson to the name of the wine. Widmerpool’s mother, years before, had pronounced “port” with a similar interrogative inflexion in her voice, though probably to imply her guests were lucky to get any port at all, rather than for the reasons impelling Colonel Hogbourne-Johnson so precisely to enunciate the word.
“Yes, Derrick?”
“Not to-night, Eric. Port don’t do the liver any good. Not the sort of port we have in this Mess anyway. I shall steer clear of port myself, Eric, and I should advise you to do the same.”
“You do?”
“I do, Eric.