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The Secret Agent - Joseph Conrad [11]

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“A series of outrages,” Mr Vladimir continued calmly, “executed here in this country; not only planned here—that would not do—they would not mind. Your friends could set half the Continent on fire without influencing the public opinion here in favour of a universal repressive legislation. They will not look outside their backyard here.”

Mr Verloc cleared his throat, but his heart failed him, and he said nothing.

“These outrages need not be especially sanguinary,” Mr Vladimir went on, as if delivering a scientific lecture, “but they must be sufficiently startling—effective. Let them be directed against buildings, for instance. What is the fetish of the hour that all the bourgeoisie recognise—eh, Mr Verloc?”

Mr Verloc opened his hands and shrugged his shoulders slightly.

“You are too lazy to think,” was Mr Vladimir’s comment upon that gesture. “Pay attention to what I say. The fetish of to-day is neither royalty nor religion. Therefore the palace and the church should be left alone. You understand what I mean, Mr Verloc?”

The dismay and the scorn of Mr Verloc found vent in an attempt at levity.

“Perfectly. But what of the Embassies? A series of attacks on the various Embassies,” he began; but he could not withstand the cold, watchful stare of the First Secretary.

“You can be facetious, I see,” the latter observed carelessly. “That’s all right. It may enliven your oratory at socialistic congresses. But this room is no place for it. It would be infinitely safer for you to follow carefully what I am saying. As you are being called upon to furnish facts instead of cock-and-bull stories, you had better try to make your profit off what I am taking the trouble to explain to you. The sacrosanct fetish of to-day is science. Why don’t you get some of your friends to go for that wooden-faced panjandrum—eh? Is it not part of these institutions which must be swept away before the F. P. comes along?”

Mr Verloc said nothing. He was afraid to open his lips lest a groan should escape him.

“This is what you should try for. An attempt upon a crowned head or on a president is sensational enough in a way, but not so much as it used to be. It has entered into the general conception of the existence of all chiefs of state. It’s almost conventional—especially since so many presidents have been assassinated. Now let us take an outrage upon—say a church. Horrible enough at first sight, no doubt, and yet not so effective as a person of an ordinary mind might think. No matter how revolutionary and anarchist in inception, there would be fools enough to give such an outrage the character of a religious manifestation. And that would detract from the especial alarming significance we wish to give to the act. A murderous attempt on a restaurant or a theatre would suffer in the same way from the suggestion of non-political passion: the exasperation of a hungry man, an act of social revenge. All this is used up; it is no longer instructive as an object lesson in revolutionary anarchism. Every newspaper has ready-made phrases to explain such manifestations away. I am about to give you the philosophy of bomb throwing from my point of view; from the point of view you pretend to have been serving for the last eleven years. I will try not to talk above your head. The sensibilities of the class you are attacking are soon blunted. Property seems to them an indestructible thing. You can’t count upon their emotions either of pity or fear for very long. A bomb outrage to have any influence on public opinion now must go beyond the intention of vengeance or terrorism. It must be purely destructive. It must be that, and only that, beyond the faintest suspicion of any other object. You anarchists should make it clear that you are perfectly determined to make a clean sweep of the whole social creation. But how to get that appallingly absurd notion into the heads of the middle classes so that there should be no mistake? That’s the question. By directing your blows at something outside the ordinary passions of humanity is the answer. Of course, there is art. A bomb in the National Gallery would make some noise. But it would not be serious enough. Art has never been their fetish. It

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