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The Naked and the Dead - Norman Mailer [108]

By Root 20762 0

After work Red goes back to his furnished room (two-fifty a week, the carpeting on the stairs has thickened with age and springs underfoot like soft dusty turf) and lies down on his bed. If he's not too pooped, he gets up after a while, and drifts down to the bar around the corner. (The gray cracked asphalt, the garbage cans spilling over in the areaways, the stippled light of the neon sign, two letters are missing.)

A man always has philosophy. I'll tell ya, Red, I used to think for a time I made a mistake gettin' married. I used to get mad, you know, I'd start wondering what am I workin' for, but, aah, you get over it. You take those two kids over there feeling each other in that booth. Right now one of them can't even breathe without the other -- my old lady used to be like that with me. I don't get mad, I know what the score is, those kids are gonna end up like you, like me, like everybody.

(The beer is flat and tastes like pennies.) Me, Red says, I never horse around much with the women. They just want to trap ya, I seen enough of it.

Aw, it ain't that bad, there's good things about marriage and women, but it ain't what you think you're gonna get when you start off. You know a married man has worries, I'll tell ya, Red, sometimes I wish I been the places you have.

Yeah, I'll take Two-bit Annie.

In the brothel the girls wear halters and trim panties with a tropical print, an actress has made the style famous this year. They gather like burlesque queens in the living room with the ashtrays and the chipped modernistic furniture.

Okay, Pearl, let's go.

He follows her up the gray spongy carpeting of the stairs, watching the automatic waggle of her hips.

Haven't seen ya in a long time, Red.

Just two weeks.

Yeah, ya went to Roberta last time. She reproves him, Dearie.

In the cubicle, the blanket is folded at the foot of the bed, smudged with the shoes of other men. Pearl is humming. (BETTY COED HAS LIPS OF RED FOR HARVARD.) She slips his dollar under the pillow. Easy, Red, momma's had a long hard day.

The throe quivers along his back, leaves his loins charged and sickly.

How about one on the house?

Aw, now, honey, you know what Eddie would do if he found us girls givin' it away.

He dresses quickly, feeling her arm on his shoulder. I'm sorry, Red, listen, you come up next time, and I'll talk a little French to you, just between you and me, okay?

At this moment her mouth is soft, and her breasts seem swollen. He touches her nipple for a moment; counterfeit of passion, it strains against his finger. You're a good kid, Pearl.

One of the best.

The light bulb is naked, and it flares in his eyes cruelly. He inhales her powder, the sweet sweat of her armpits. . .

How'd you get started, Pearl?

I'll tell ya over a glass of beer someday.

Outside, the air is cold like a tart and icy apple. He feels a deep melancholy, pleasurable and extensive, but when he is in his room he cannot sleep.

I been in this town too long. (The brown bare hills deepening in the twilight. The night rolls away into the west.) WHERE IS THE BEAUTY WE LOST IN OUR YOUTH?

He gets up and looks out the window. Jesus, I feel old, twenty-three and I'm an old man. After a time he falls asleep.

In the morning the sweat eddies corrosively in his eyes, and the steam erupts from the dish racks. Rub the lipstick loose before the glasses go in.

I guess I'll be moving again. It's no good having it steady pay. But this time there is less hope in it.

A park bench is really too small for a man to sleep comfortably. If his feet dangle over the edge, the slats cut into the back of his knees, and if he draws them up, he awakens with a cramp in his thigh. For a skinny man, it's impossible to sleep on his side. The boards grate against his hipbones, and his shoulder becomes stiff. He has to lie on his back with his knees propped toward the sky, and his hands under his head; when he gets up his fingers are numb for many minutes.

Red is awakened by a jarring shock in his skull. He springs up, sees the policeman raising his nightstick to strike the soles of his shoes again.

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