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The Moviegoer - Walker Percy [0]

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WALKER PERCY was born in Alabama. He received a B.A. from the University of North Carolina and attended Columbia University’s College of Physicians and Surgeons. There, in Upper West Side theaters, he indulged a passion for cinema that would later surface in the tension between movie illusion and everyday reality in his fictional creations. He contracted TB while performing autopsies at Bellevue Hospital and was sent to convalesce in the Adirondack Mountains, where he began the process of becoming a prose artist. He is the author of the non-fiction work THE MESSAGE IN THE BOTTLE and other novels LANCELOT, THE LAST GENTLEMAN, THE SECOND COMING, LOVE IN THE RUIN, and THE MOVIEGOER, which won the 1962 National Book Award.

Other Avon Books by

Walker Percy

LANCELOT

THE LAST GENTLEMAN

LOVE IN THE RUINS

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THE MOVIEGOER

WALKER PERCY

A BARD BOOK / PUBLISHED BY AVON BOOKS

A small section of this book originally appeared in FORUM

in slightly different form as “Carnival in Gentilly.”

AVON BOOKS

A division of

The Hearst Corporation

959 Eighth Avenue

New York, New York 10019

Copyright © 1960, 1961 by Walker Percy

Published by arrangement with Alfred A. Knopf, Inc.

Library of Congress Catalog Card Number: 61-7754

ISBN: 0-380-47076-4

All rights reserved, which includes the right

to reproduce this book or portions thereof in

any form whatsoever. For information address

Alfred A. Knopf, Inc., 201 East 50th Street,

New York, New York 10022

First Avon Printing, January, 1980

First Bard Printing, March 1982

BARD TRADEMARK REG. U.S. PAT. OFF. AND IN

OTHER COUNTRIES, MARCA REGISTRADA,

HECHO EM U.S.A.

Printed in the U.S.A.

WFH 10 9 8 7 6 5 4

In gratitude to

W. A. P.

Contents

Contents

ONE

1

2

3

4

5

6

7

TWO

1

2

3

4

5

6

7

8

9

10

11

12

THREE

1

2

3

4

5

6

7

FOUR

1

2

3

4

FIVE

1

2

EPILOGUE

... the specific character of

despair is precisely this: it

is unaware of being despair.

SØREN KIERKEGAARD,

The Sickness Unto Death

What follows is a work of the imagination. Every character, except movie stars, and every event without exception are fictitious. No resemblance to real persons is intended or should be inferred. When movie stars are mentioned, it is not the person of the actor which is meant but the character he projects upon the screen. The geography of New Orleans and the bayous has been changed slightly. As for “Feliciana Parish,” there are parishes named East Feliciana and West Feliciana, but I know not a soul in either place.

ONE

1


This morning I got a note from my aunt asking me to come for lunch. I know what this means. Since I go there every Sunday for dinner and today is Wednesday, it can mean only one thing: she wants to have one of her serious talks. It will be extremely grave, either a piece of bad news about her stepdaughter Kate or else a serious talk about me, about the future and what I ought to do. It is enough to scare the wits out of anyone, yet I confess I do not find the prospect altogether unpleasant.

I remember when my older brother Scott died of pneumonia. I was eight years old. My aunt had charge of me and she took me for a walk behind the hospital. It was an interesting street. On one-side were the power plant and blowers and incinerator of the hospital, all humming and blowing out a hot meaty smell. On the other side was a row of Negro houses. Children and old folks and dogs sat on the porches watching us. I noticed with pleasure that Aunt Emily seemed to have all the time in the world and was willing to talk about anything I wanted to talk about. Something extraordinary had happened all right. We walked slowly in step. “

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