The Magnificient Ambersons - Booth Tarkington [10]
The yearners were still yearning when Georgie, at sixteen, was sent away to a great "Prep School." "Now," they said brightly, "he'll get it! He'll find himself among boys just as important in their home towns as he is, and they'll knock the stuffing out of him when he puts on his airs with them! Oh, but that would be worth something to see!" They were mistaken, it appeared, for when Georgie returned, a few months later, he still seemed to have the same stuffing. He had been deported by the authorities, the offense being stated as "insolence and profanity"; in fact, he had given the principal of the school instructions almost identical with those formerly objected to by the Reverend Malloch Smith.
But he had not got his come-upance, and those who counted upon it were embittered by his appearance upon the down-town streets driving a dog-cart at criminal speed, making pedestrians retreat from the crossings, and behaving generally as if he "owned the earth." A disgusted hardware dealer of middle age, one of those who hungered for Georgie's downfall, was thus driven back upon the sidewalk to avoid being run over, and so far forgot himself as to make use of the pet street insult of the year: "Got 'ny sense! See here, bub, does your mother know you're out?"
Georgie, without even seeming to look at him, flicked the long lash of his whip dexterously, and a little spurt of dust came from the hardware man's trousers, not far below the waist. He was not made of hardware: he raved, looking for a missile; then, finding none, commanded himself sufficiently to shout after the rapid dog-cart: "Turn down your pants, you would-be dude! Raining in dear ole Lunnon! Git off the earth!"
Georgie gave him no encouragement to think that he was heard. The dog-cart turned the next corner, causing indignation there, likewise, and, having proceeded some distance farther, halted in front of the "Amberson Block"—an old-fashioned four-story brick warren of lawyers offices, insurance and realestate offices, with a "drygoods store" occupying the ground floor. Georgie tied his lathered trotter to a telegraph pole, and stood for a moment looking at the building critically: it seemed shabby, and he thought his grandfather ought to replace it with a fourteen-story skyscraper, or even a higher one, such as he had lately seen in New York—when he stopped there for a few days of recreation and rest on his way home from the bereaved school. About the entryway to the stairs were various tin signs, announcing the occupation and location of upper-floor tenants, and Georgie decided to take some of these with him if he should ever go to college. However, he did not stop to collect them at this time, but climbed the worn stairs—there was no elevator—to the fourth floor, went down a dark corridor, and rapped three times upon a door. It was a mysterious door, its upper half, of opaque glass, bearing no sign to state the business or profession of the occupants within; but overhead, upon the lintel, four letters had been smearingly inscribed, partly with purple ink and partly with a soft lead pencil, "F. O. T. A." and upon the plaster wall, above the lintel, there was a drawing dear to male adolescence: a skull and crossbones.
Three raps, similar to Georgie's, sounded from within the room. Georgie then rapped four times the rapper within the room rapped twice, and Georgie rapped seven times. This ended precautionary measures; and a well-dressed boy of sixteen opened the door; whereupon Georgie entered quickly, and the door was closed behind him. Seven boys of congenial age were seated in a semicircular row of damaged office chairs, facing a platform whereon stood a solemn, red-haired young personage with a table before him. At one end of the room there was a battered sideboard, and upon it were some empty beer bottles, a tobacco can about two-thirds full, with a web of mold over the surface of the tobacco, a dusty cabinet photograph (not inscribed) of Miss Lillian Russell, several withered old pickles, a caseknife, and a half-petrified section of icing-cake on a sooty plate. At the other end of the room were two rickety card-tables and a stand of bookshelves where were displayed under dust four or five small volumes of M. Guy de Maupassant's stories, "Robinson Crusoe," "Sappho," "Mr. Barnes of New York," a work by Giovanni Boccaccio, a Bible, "The Arabian Nights' Entertainment," "Studies of the Human Form Divine," "The Little Minister," and a clutter of monthly magazines and illustrated weeklies of about that crispness one finds in such articles upon a doctor's ante-room table. Upon the wall, above the sideboard, was an old framed lithograph of Miss Della Fox in "Wang"; over the bookshelves there was another lithograph purporting to represent Mr. John L. Sullivan in a boxing costume, and beside it a halftone reproduction of "A Reading From Horner." The final decoration consisted of damaged papiermache