The Heart is a Lonely Hunter - Carson McCullers [51]
They did not speak of this together. At night he worked downstairs while she slept, and during the morning she managed the restaurant alone. When they worked together he stayed behind the cash register and looked after the kitchen and the tables, as was their custom. They did not talk except on matters of business, but Biff would stand watching her with his face puzzled.
Then in the afternoon of the eighth of October there was a sudden cry of pain from the room where they slept. Biff hurried upstairs. Within an hour they had taken Alice to the hospital and the doctor had removed from her a tumor almost the size of a newborn child. And then within another hour Alice was dead.
Biff sat by her bed at the hospital in stunned reflection. He had been present when she died. Her eyes had been drugged and misty from the ether and then they hardened like glass.
The nurse and the doctor withdrew from the room. He continued to look into her face. Except for the bluish pallor there was little difference. He noted each detail about her as though he had net watched her every day for twenty-one years.
Then gradually as he sat there his thoughts turned to a picture that had long been stored inside him.
The cold green ocean and a hot gold strip of sand. The little children playing on the edge of the silky line of foam. The sturdy brown baby girl, the thin little naked boys, the half-grown children running and calling out to each other with sweet, shrill voices. Children were here whom he knew, Mick and his niece, Baby, and there were also strange young faces no one had ever seen before. Biff bowed his head.
After a long while he got up from his chair and stood in the middle of the room. He could hear his sister-in-law, Lucile, walking up and down the hall outside. A fat bee crawled across the top of the dresser, and adroitly Biff caught it in his hand and put it out the open window. He glanced at the dead face one more time, and then with widowed sedateness he opened the door mat led out into the hospital corridor.
Late the next morning he sat sewing in the room upstairs.
Why? Why was it that in cases of real love the one who is left does not more often follow the beloved by suicide? Only because the living must bury the dead? Because of the measured rites that must be fulfilled after a death? Because it is as though the one who is left steps for a time upon a stage and each second swells to an unlimited amount of time and he is watched by many eyes? Because there is a function he must carry out? Or perhaps, when there is love, the widowed must stay for the resurrection of the beloved--so that the one who has gone is not really dead, but grows and is created for a second time in the soul of the living? Why? Biff bent close over his sewing and meditated on many things.
He sewed skillfully, and the calluses on the tips of his fingers were so hard that he pushed the needle through the cloth without a thimble. Already the mourning bands had been sewn around the arms of two gray suits, and now he was on the last.
The day was bright and hot, and the first dead leaves of the new autumn scraped on the sidewalks. He had gone out early.
Each minute was very long. Before him there was infinite leisure. He had locked the door of the restaurant and hung on the outside a white wreath of lilies. To the funeral home he went first and looked carefully at the selection of caskets. He touched the materials of the linings and tested the strength of the frames.
‘What is the name of the crepe of this one--Georgette?’
The undertaker answered his questions in an oily, unctuous voice.
‘And what is the percentage of cremations in your business?’
Out on the street again Biff walked with measured formality.