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The Grapes of Wrath - John Steinbeck [27]

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Fiedler, Leslie. “Looking Back After 50 Years.” San Jose Studies 16 (Winter 1990), 54-64.

French, Warren. “The Education of the Heart.” In John Steinbeck’s Fiction Revisited. New York: Twayne, 1994, 73-84.

Gladstein, Mimi R. “Deletions from the Battle; Gaps in the Grapes.” San Jose Studies 18 (Winter 1992), 43-51.

Gold, Christina Sheehan. “Changing Perceptions of Homelessness: John Steinbeck, Carey McWilliams, and California During the 1930s.” In Beyond Boundaries: Rereading John Steinbeck. Susan Shillinglaw and Kevin Hearle, eds. Tuscaloosa: University of Alabama Press, 2002, 47-65.

Hearle, Kevin. “These Are American People: The Spectre of Eugenics in Their Blood Is Strong and The Grapes of Wrath.” In Beyond Boundaries: Rereading John Steinbeck. Susan Shillinglaw and Kevin Hearle, eds. Tuscaloosa: University of Alabama Press, 2002, 243-54.

Inoue, Hirotsugu. “The Weedpatch Camp as a Symbol of American Democracy.” In John Steinbeck: Asian Perspectives. Kiyoshi Nakayama, Scott Pugh, and Sigeharu Yano, eds. Osaka, Japan: Osaka Kyoiku Tosho Company, 1992, 143-53.

Kawata, Ikuko. “A Study of the Symbolism of the Name, ‘Rose of Sharon.’” Steinbeck Studies 13 (Winter 2001), 18-20.

Kennedy, William. “The Grapes of Wrath at Fifty: Steinbeck’s Journals.” In Riding the Yellow Trolley Car: Selected Nonfiction. New York: Viking Penguin, 1993. 212-18. [Reprint of 1989 New York Times Book Review article “My Work Is No Good.”]

Kramer, Jerome. “20 Books That Changed America,” Book (July/August 2003), 59-62.

Krim, Arthur. “Elmer Hader and The Grapes of Wrath Book Jacket.” The Steinbeck Newsletter 4 (Winter 1991), 1-3.

——— “John Steinbeck and Highway 66.” The Steinbeck Newsletter 4 (Summer 1991), 8-9.

——— “Right Near Sallisaw.” The Steinbeck Newsletter 12 (Spring 1999), 1-4.

Levant, Howard. “A Fully Matured Art: The Grapes of Wrath.” In The Novels of John Steinbeck: A Critical Study. Columbia: University of Missouri Press, 1974, 93-129.

Lewis, Cliff. “The Grapes of Wrath: The Psychological Transition from Clan to Community.” The American Examiner 6 (Fall-Winter 1978-1979), 40-68.

Lingo, Marci. “Forbidden Fruit: The Banning of The Grapes of Wrath in the Kern County Free Library.” Libraries & Culture 38 (Fall 2003), 351-77.

Loftis, Anne. “The Road to The Grapes of Wrath.” In Witness to the Struggle: Imaging the 1930s California Labor Movement. Reno: University of Nevada Press, 1998, 141-54.

Minter, David. A Cultural History of the American Novel: Henry James to William Faulkner. New York: Cambridge University Press, 1994, 188-90.

Morsberger, Robert E. “Steinbeck and Censorship.” The Journal of Interdisciplinary Studies 16 (Fall 2003), 29-35.

——— “Steinbeck and Steppenwolf: The Enduring Rage for Justice.” The Steinbeck Newsletter 7 (Winter 1994), 6-11.

Motley, Warren, “From Patriarchy to Matriarchy: Ma Joad’s Role in The Grapes of Wrath.” American Literature 54 (October 1982), 397-412.

Mullen, Patrick. “American Folklife and The Grapes of Wrath.” Journal of American Culture 1 (1978), 742-53.

Owens, Louis. “Ways Out of the Waste Land: Steinbeck and Modernism, or Lighting Out for the Twenty-First Century Ahead of the Rest.” Steinbeck Studies 13 (Fall 2001), 12-17.

Railsback, Brian. “Style and Image: John Steinbeck and Photography.” In John Steinbeck: A Centennial Tribute. Syed Mashkoor Ali, ed. Jaipur, India: Surabhi Publications, 2004, 234-58.

Rombold, Tamara. “Biblical Inversion in The Grapes of Wrath.” College Literature 14 (1987), 146-66.

Rucklin-Banderier, Christine. “Steinbeck and Harold Bell Wright: A Few Parallel Occurrences.” The Steinbeck Newsletter 11 (Summer 1998), 1-3.

Schmidt, Gary D. “Steinbeck’s ‘Breakfast’: A Reconsideration.” Western American Literature 26 (Winter 1992), 303-11.

Seaman, Donna. “Many Shades of Green, or Ecofiction Is in the Eye of the Reader.” TriQuarterly 113 (Summer 2002), 9-28.

Seelye, John. “Come Back to the Boxcar, Leslie Honey: Or, Don’t Cry for Me, Madonna, Just Pass the Milk: Steinbeck and Sentimentality.” In Beyond Boundaries: Rereading John Steinbeck. Susan Shillinglaw and Kevin Hearle, eds. Tuscaloosa: University of Alabama Press, 2002, 11-33.

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