• Choose a category
• All
• Classic-Fiction
• Famous-Fiction
• Historical-Fiction

By Root 21330 0

– it was but another name for the interest of her great opportunity: that of representing the arts and the graces to a people languishing afar off and in ignorance. Maggie had sufficiently intimated to the Prince ten minutes before that she needed no showing as to what their friend wouldn’t consent to be taken for; but the difficulty now indeed was to choose, for explicit tribute of admiration, between the varieties of her nobler aspects. She carried it off, to put the matter coarsely, with a taste and a discretion that held our young woman’s attention, for the first quarter of an hour, to the very point of diverting it from the attitude of her overshadowed, her almost superseded companion. But Adam Verver profited indeed at this time even with his daughter by his so marked peculiarity of seeming on no occasion to have an attitude; and so long as they were in the room together she felt him still simply weave his web and play out his long fine cord, knew herself in presence of this tacit process very much as she had known herself at Fawns. He had a way, the dear man, wherever he was, of moving about the room, noiselessly, to see what it might contain; and his manner of now resorting to his habit, acquainted as he already was with the objects in view, expressed with a certain sharpness the intention of leaving his wife to her devices. It did even more than this; it signified, to the apprehension of the Princess, from the moment she more directly took thought of him, almost a special view of these devices, as actually exhibited in their rarity, together with an independent, a settled appreciation of their general handsome adequacy which scarcely required the accompaniment of his faint contemplative hum.

Charlotte throned, as who should say, between her hostess and her host, the whole scene having crystallised, as soon as she took her place, to the right quiet lustre; the harmony wasn’t less sustained for being superficial, and the only approach to a break in it was while Amerigo remained standing long enough for his father-in-law, vaguely wondering, to appeal to him, invite or address him, and then in default of any such word selected for presentation to the other visitor a plate of petits fours.1 Maggie watched her husband – if it now could be called watching – offer this refreshment; she noted the consummate way – for ‘consummate’ was the term she privately applied – in which Charlotte cleared her acceptance, cleared her impersonal smile, of any betrayal, any slightest value, of consciousness; and then felt the slow surge of a vision that at the end of another minute or two had floated her across the room to where her father stood looking at a picture, an early Florentine sacred subject, that he had given her on her marriage. He might have been in silence taking his last leave of it; it was a work for which she knew he entertained an unqualified esteem. The tenderness represented for her by his sacrifice of such a treasure had become to her sense a part of the whole infusion, of the immortal expression; the beauty of his sentiment looked out at her always, from the beauty of the rest, as if the frame made positively a window for his spiritual face: she might have said to herself at this moment that in leaving the thing behind him, held as in her clasping arms, he was doing the most possible toward leaving her a part of his palpable self. She put her hand over his shoulder, and their eyes were held again together by the abiding felicity; they smiled in emulation, vaguely, as if speech failed them through their having passed too far: she would have begun to wonder the next minute if it were reserved to them, for the last stage, to find their contact, like that of old friends reunited too much on the theory of the unchanged, subject to shy lapses.

‘It’s all right, eh?’

‘Oh my dear – rather!’

He had applied the question to the great fact of the picture, as she had spoken for the picture in reply, but it was as if their words for an instant afterwards symbolised another truth, so that they looked about at everything else to give them this extension. She had passed her arm into his, and the other objects in the room, the other pictures, the sofas, the chairs, the tables, the cabinets, the