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The Golden Bowl - Henry James [12]

By Root 17200 0
‘altogether’, any such admission as that of a single dab of the soap, left the door very much ajar. Any request that an indulgent objector to drawing-room discipline, to the purification, in other words, of innocent childhood, should kindly measure out then the appropriate amount of ablutional fluid for the whole case, would, on twenty grounds, indubitably leave that invoked judge gaping. I had none the less, I repeat, at muddled moments, seemed to see myself confusedly invoke him; thanks to my but too naturally not being able to forecast the perfect grace with which an answer to all my questions was meanwhile awaiting me. To expose the case frankly to a test – in other words to begin to re-read – was at once to get nearer all its elements and so, as by the next felicity, feel it purged of every doubt. It was the nervous postponement of that respectful approach that I spoke of just now as, in the connexion, my waste of time. This felt awkwardness sprang, as I was at a given moment to perceive, from my too abject acceptance of the grand air with which the term Revision had somehow, to my imagination, carried itself – and from my frivolous failure to analyse the content of the word. To revise is to see, or to look over, again – which means in the case of a written thing neither more nor less than to re-read it. I had attached to it, in a brooding spirit, the idea of re-writing – with which it was to have in the event, for my conscious play of mind, almost nothing in common. I had thought of re-writing as so difficult, and even so absurd, as to be impossible – having also indeed, for that matter, thought of re-reading in the same light. But the felicity under the test was that where I had thus ruefully prefigured two efforts there proved to be but one – and this an effort but at the first blush. What re-writing might be was to remain – it has remained for me to this hour – a mystery. On the other hand the act of revision, the act of seeing it again, caused whatever I looked at on any page to flower before me as into the only terms that honourably expressed it; and the ‘revised’ element in the present Edition is accordingly these terms, these rigid conditions of re-perusal, registered; so many close notes, as who should say, on the particular vision of the matter itself that experience had at last made the only possible one.

What it would be really interesting, and I dare say admirably difficult, to go into would be the very history of this effect of experience; the history, in other words, of the growth of the immense array of terms, perceptional and expressional, that, after the fashion I have indicated, in sentence, passage and page, simply looked over the heads of the standing terms – or perhaps rather, like alert winged creatures, perched on those diminished summits and aspired to a clearer air. What it comes back to, for the maturer mind – granting of course, to begin with, a mind accessible to questions of such an order – is this attaching speculative interest of the matter, or in vulgar parlance the inordinate intellectual ‘sport’ of it: the how and the whence and the why these intenser lights of experience come into being and insist on shining. The interest of the question is attaching, as I say, because really half the artist’s life seems involved in it – or doubtless, to speak more justly, the whole of his life intellectual. The ‘old’ matter is there, re-accepted, re-tasted, exquisitely re-assimilated and reenjoyed – believed in, to be brief, with the same ‘old’ grateful faith (since wherever the faith, in a particular case, has become aware of a twinge of doubt I have simply concluded against the matter itself and left it out); yet for due testimony, for re-assertion of value, perforating as by some strange and fine, some latent and gathered force, a myriad more adequate channels. It is over the fact of such a phenomenon and its so possibly rich little history that I am moved just fondly to linger – and for the reason I glanced at above, that to do so is in a manner to retrace the whole growth of one’s ‘taste’, as our fathers used to say: a blessed comprehensive name for many of the things deepest in us. The

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