The Ambassadors - Henry James [191]
"Selfish and vulgar—that's what I must seem to you. You've done everything for me, and here I am as if I were asking for more. But it isn't," she went on, "because I'm afraid—though I AM of course afraid, as a woman in my position always is. I mean it isn't because one lives in terror—it isn't because of that one is selfish, for I'm ready to give you my word to-night that I don't care; don't care what still may happen and what I may lose. I don't ask you to raise your little finger for me again, nor do I wish so much as to mention to you what we've talked of before, either my danger or my safety, or his mother, or his sister, or the girl he may marry, or the fortune he may make or miss, or the right or the wrong, of any kind, he may do. If after the help one has had from you one can't either take care of one's self or simply hold one's tongue, one must renounce all claim to be an object of interest. It's in the name of what I DO care about that I've tried still to keep hold of you. How can I be indifferent," she asked, "to how I appear to you?" And as he found himself unable immediately to say: "Why, if you're going, NEED you, after all? Is it impossible you should stay on—so that one mayn't lose you?"
"Impossible I should live with you here instead of going home?"
"Not 'with' us, if you object to that, but near enough to us, somewhere, for us to see you—well," she beautifully brought out, "when we feel we MUST. How shall we not sometimes feel it? I've wanted to see you often when I couldn't," she pursued, "all these last weeks. How shan't I then miss you now, with the sense of your being gone forever?" Then as if the straightness of this appeal, taking him unprepared, had visibly left him wondering: "Where IS your 'home' moreover now—what has become of it? I've made a change in your life, I know I have; I've upset everything in your mind as well; in your sense of—what shall I call it?—all the decencies and possibilities. It gives me a kind of detestation—" She pulled up short.
Oh but he wanted to hear. "Detestation of what?"
"Of everything—of life."
"Ah that's too much," he laughed—"or too little!"
"Too little, precisely"—she was eager. "What I hate is myself—when I think that one has to take so much, to be happy, out of the lives of others, and that one isn't happy even then. One does it to cheat one's self and to stop one's mouth—but that's only at the best for a little. The wretched self is always there, always making one somehow a fresh anxiety. What it comes to is that it's not, that it's never, a happiness, any happiness at all, to TAKE. The only safe thing is to give. It's what plays you least false." Interesting, touching, strikingly sincere as she let these things come from her, she yet puzzled and troubled him—so fine was the quaver of her quietness. He felt what he had felt before with her, that there was always more behind what she showed, and more and more again behind that. "You know so, at least," she added, "where you are!"
"YOU ought to know it indeed then; for isn't what you've been giving exactly what has brought us together this way? You've been making, as I've so fully let you know I've felt," Strether said, "the most precious present I've ever seen made, and if you can't sit down peacefully on that performance you ARE, no doubt, born to torment yourself. But you ought," he wound up, "to be easy."
"And not trouble you any more, no doubt—not thrust on you even the wonder and the beauty of what I've done; only let you regard our business as over, and well over, and see you depart in a peace that matches my own? No doubt, no doubt, no doubt," she nervously repeated—"all the more that I don't really pretend I believe you couldn't, for yourself, NOT have done what you have. I don't pretend you feel yourself victimised, for this evidently is the way you live, and it's what