The Alexandria Quartet - Lawrence Durrell [471]
(I am talking at random simply to give you an idea of the sort of life I lead here.)
The early hill-barley is being gathered. You meet walking haystacks — haystacks with nothing but a pair of feet below them trudging along these rocky lanes. The weird shouts the women give, either at cattle or calling to one another from hillside to hillside. ‘ Wow ’ ‘ hoosh’ ‘ gnaiow’ . This barley is laid upon the flat roofs for threshing out the chaff which they do with sticks. Barley! hardly is the word spoken before the ant-processions begin, long chains of dark ants trying to carry it away to their private storehouses. This in turn has alerted the yellow lizards; they prowl about eating the ants, lying in ambush winking their eyes. And, as if following out the octave of causality in nature, here come the cats to hunt and eat the lizards. This is not good for them, and many die of a wasting disease attributed to this folly. But I suppose the thrill of the chase is on them. And then?
Well, now and then a viper kills a cat stone dead. And the man with his spade breaks the snake’s back. And the man? Autumn fevers come on with the first rain. The old men tumble into the grave like fruit off a tree. Finita la guerra! These people were occupied by Italians and quite a few learned the language which they speak with a Sienese accent.
In the little square is a fountain where the women gather. They proudly display their babies, and fancy them as if they were up for sale. This one is fat, that one thin. The young men
pass up and down the road with hot shy glances. One of them sings archly ‘ Solo, per te, Lucia’ . But they only toss their heads and continue with their gossip. There is an old and apparently completely deaf man filling his pitcher. He is almost electrocuted by the phrase ‘Dmitri at the big house is dead.’ It lifts him off the ground. He spins round in a towering rage. ‘Dead? Who’s dead? Eh? What?’ His hearing is much improved all at once. There is a little acropolis now called Fontana, high up there in the clouds. Yet it isn’t far. But a steep climb up clinker-dry river-beds amid clouds of black flies; you come upon herds of rushing black goats like satans. There is a tiny hospice on the top with one mad monk; built as if on a turntable like a kiln of rusk. From here you can drink the sweet indolent misty curves of the island to the west.
And the future?
Well, this is a sketch of a nearly ideal present which will not last forever; indeed has almost expired, for within another month or so my usefulness will come to an end, and with it presumably the post upon which I depend for my exiguous livelihood. I have no resources of my own and must consider ways and means. No, the future rolls about inside me with every roll of the ship, so to speak, like a cargo which has worked loose. Were it not to see you again I doubt if I could return again to Alexandria. I feel it fade inside me, in my thoughts, like some valedictory mirage — like the sad history of some great queen whose fortunes have foundered among the ruins of armies and the sands of time! My mind has been turning more and more westward, towards the old inheritance of Italy or France. Surely there is still some worthwhile work to be done among their ruins — something which we can cherish, perhaps even revive? I ask myself this question, but it really addresses itself to you. Uncommitted as yet to any path, never-theless the one I would most like to take leads westward and northward. There are other reasons. The terms of my contract entitle me to free