The Alexandria Quartet - Lawrence Durrell [419]
With Clea also the new relationship offered no problems, perhaps because deliberately we avoided defining it too sharply, and allowed it to follow the curves of its own nature, to fulfil its own design. I did not, for example, always stay at her flat —
for sometimes when she was working on a picture she would plead for a few days of complete solitude and seclusion in order to come to grips with her subject, and these intermittent intervals, sometimes of a week or more, sharpened and refreshed affection without harming it. Sometimes, however, after such a compact we would stumble upon each other by accident and out of weakness resume the suspended relationship before the promised three days or a week was up! It wasn’t easy.
Sometimes at evening I might come upon her sitting absent ly alone on the little painted wooden terrace of the Café Baudrot, gazing into space. Her sketching blocks lay before her, unopened. Sitting there as still as a coney, she had forgotten to remove from her lips the tiny moustache of cream from her café viennois! At such a moment it needed all my self-possession not to vault the wooden balustrade and put my arms round her, so vividly did this touching detail seem to light up the memory of her; so
childish and serene did she look. The loyal and ardent image of Clea the lover rose up before my eyes and all at once separation seemed unendurable! Conversely I might suddenly (sitting on a bench in a public garden, reading) feel cool hands pressed over my eyes and turn suddenly to embrace her and inhale once more the fragrance of her body through her crisp summer frock. At other times, and very often at moments when I was actually thinking of her, she would walk miraculously into the flat saying: ‘I felt you calling me to come’ or else ‘It suddenly came over me to need you very much.’ So these encounters bad a breathless sharp sweetness, unexpectedly re-igniting our ardour. It was as if we had been separated for years instead of days.
This self-possession in the matter of planned absences from each other struck a spark of admiration from Pombal, who could no more achieve the same measure in his relations with Fosca than climb to the moon. He appeared to wake in the morning with her name on his lips. His first act was to telephone her anxiously to find out if she were well — as if her absence had exposed her to terrible unknown dangers. His official day with its various duties was a torment. He positively galloped home to lunch in order to see her again. In all justice I must say that his attachment was fully reciprocated for all that their relationship was like that of two elderly pensioners in its purity. If he were kept late at an official dinner she would work herself into a fever of apprehension. (‘No, it is not his fidelity that worries me, it is his safely. He drives so carelessly, as you know.’) Fortunately during this period the nightly bombardment of the harbour acted upon social activities almost like a curfew, so that it was possible to spend almost every evening together, playing chess or cards, or reading aloud. Fosca I found to be a thoughtful, almost intense young woman, a little lacking in humour but devoid of the priggishness which I had been inclined to suspect from Pombal’s own description of her
•when first we met. She had a keen and mobile face whose pre-mature wrinkles suggested that perhaps she had been marked by her experiences as a refugee. She never laughed aloud, and her smile had a touch of reflective sadness in it. But she was wise, and always had a spirited and thoughtful answer ready — indeed the quality of esprit which the French so rightly prize in a woman. The fact that she was nearing the term of her pregnancy only
seemed to make Pombal more attentive and adoring — indeed he behaved with something like complacence about the child. Or was he simply trying to suggest that it was his own: as a show of face to a world which might think that he was ‘unmanned’? I could not decide. In the summer afternoons he would float about the harbour in his cutter while Fosca sat in the stern trailing one white hand in the sea. Sometimes she sang for him in a small true voice like a bird