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The Alexandria Quartet - Lawrence Durrell [332]

By Root 24610 0
— broken pavements made of tinfoil, snail-shells, cracked horn, mica; earth-brick buildings turned to the colour of ox-blood; the lovers wandering in Mohammed Ali Square, disoriented by the unfamiliar rain, disconsolate as un-tuned instruments; the clicking of violet trams along the sea-front among the tatting of palm-fronds. The desuetude of an ancient city whose streets were plastered with the wet blown dust of the surrounding desert. He felt it all anew, letting it extend panor-amically in his consciousness — the moan of a liner edging out towards the sunset bar, or the trains which flowed like a torrent of diamonds towards the interior, their wheels chattering among the shingle ravines and the powder of temples long since abandoned and silted up….

Mountolive saw it all now with a world-weariness which he at last recognized as the stripe which maturity lays upon the shoulders of an adult — the stigma of the experiences which age one. The wind spouted in the harbour. The corridors of wet rigging swayed and shook like the foliage of some great tree. Now the tears were trickling down the windscreen under the diligent and noiseless wipers…. A little period in this strange contused dark-ness, fitfully lit by lightning, and then the wind would come — the magistral north wind, punching and squeezing the sea into its own characteristic plumage of white crests, knocking open the firmament until the faces of men and women once more reflected the open winter sky. He was in plenty of time.

He drove to the Summer Residence to make sure that the staff had been warned of his arrival; he intended to stay the night and return to Cairo on the morrow. He let himself into the front door with his own key, having pressed the bell, and stood listening for the shuffle of Ali. And as he heard the old man’s step

approaching, the north wind arrived with a roar, stiffening the windows in their frames, and the rain stopped abruptly as if it had been turned off.

He had still an hour or so before the rendezvous: comfortable time in which to have a bath and change his clothes. To his own surprise, he felt perfectly at ease now, no longer tormented by doubts or elated by a sense of relief. He had put himself un-reservedly in the hands of chance. He ate a sandwich and drank two strong whiskies before setting out and letting the great car slide softly down the Grande Corniche towards the Auberge Bleue which lay towards the outskirts of the town, fringed by patches of dune and odd clusters of palm. The sky was clear again now and the whitecaps were racing ashore to bang themselves in showers of spray upon the metal piers of Chatby. At the horizon’s edge flickered the intermittent lightning still, but dimly. These faint gleams suggested perhaps the gun flashes of distant warships in a naval engagement.

He edged the car softly off the road and into the deserted car park of the Auberge, switching off the side-lamps as he did so. He sat for a moment, accustoming himself to the bluish dusk. The Auberge was empty — it was still too early for dancers and diners to throng its elegant floor and bars. Then he saw it. Just off the road, on the opposite side of the park, there was a bare patch of sand-dune with a few leaning palms. A gharry stood there. Its old-fashioned oil-lamps were alight and wallowed feebly like fireflies in the light sea-airs. There was a dim figure on the jarvey’s box in a tarbush — apparently asleep.

He crossed the gravel with a light and joyous step, hearing it squeak under his shoes, and as he neared the gharry called, in a soft voice: ‘Leila!’ He saw the silhouette of the driver turn against the sky and register attention; from inside the cab he heard a voice — Leila’s voice — say something like : ‘Ah! David, so at last we meet. I have come all this way to tell you….’

He leaned forward with a puzzled air, straining his eyes, but could not see more than the vague shape of someone in the far corner of the cab. ‘Get in’ she cried imperiously. ‘Get in and we shall talk.’

And it was here that a sense of unreality overtook Mount-olive; he could not exactly fathom why. But he felt as one does in

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