The Alexandria Quartet - Lawrence Durrell [274]
the virtuous Semira.” He was so unnerved that he roared with laughter.
‘Now this is an oddity. Semira is the daughter of a very old deaf father. The family was once rich and famous, under the Khedives, and is of Ottoman extraction. But it was plagued by misfortunes
and the progressive insanity of the sons, and has so far today decayed as to be virtually forgotten. It is also poverty-stricken. The old half-mad father locked Semira away in this rambling house, keeping her veiled for the most part. Vaguely, in society, one had heard tales of her — of a daughter who had taken the veil and spent her life in prayer, who had never been outside the gates of the house, who was a mystic; or who was deaf, dumb and bed-ridden. Vague tales, distorted as tales always are in Alexandria. But while the faint echo remained of the so-called virtuous Semira — she was really completely unknown to us and her family forgotten. Now it seemed that at carnival-time her curiosity about the outer world overcame her and she gate-crashed parties in a domino!
‘But I am forgetting Amaril. Their footsteps had brought down an old manservant with a candle. Amaril demanded to see the master of the house. He had already come to a decision. The old father lay asleep in an old-fashioned four-poster bed, in a room covered in bat-droppings, at the top of the house. Semira was by now practically insensible. But Amaril had come to a great decision. Taking the candle in one hand and the small Semira in the crook of his arm, he walked the whole way up to the top and kicked open the door of the father’s room. It must have been a strange and unfamiliar scene for the old man to witness as he sat up in bed — and Amaril describes it with all the touching flam-boyance of the romantic, even moving himself in the recital so that he is in tears as he recalls it. He is touched by the magnificence of his own fancy, I think; I must say, loving him as much as I do, I felt tears coming into my own eyes as he told me how he put down the candle beside the bed, and kneeling down with Semira, said
“I wish to marry your daughter and take her back into the world.”
The terror and incomprehension of the old man at this unexpected visit took some time to wear off, and for a while it was hard to make him understand. Then he began to tremble and wonder at this handsome apparition kneeling beside his bed holding up his noseless daughter with his arm and proposing the impossible with so much pride and passion.
‘ “But” the old man protested “no-one will take her, for she has no nose.” He got out of bed in a stained nightshirt and walked right round Amaril, who remained kneeling, studying him as one
might an entomological specimen. (I am quoting.) Then he touched him with his bare foot — as if to see whether he was made of flesh and blood — and repeated: “Who are you to take a woman without a nose?” Amaril replied: “I am a doctor from Europe and I will give her a new nose,” for the idea, the fantastic idea, had been slowly becoming clear in his own mind. At the words, Semira gave a sob and turned her beautiful, horrible face to his, and Amaril thundered out: