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The Alexandria Quartet - Lawrence Durrell [203]

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“Thank you. Thank you” he repeated over and over again.

‘ “Come on. Get up. It’s time to go home.” I was deathly tired by now. I advised him to go straight back home and to confide his

story to nobody. “Perhaps you have imagined the whole thing” I said, and he gave me a tired but brilliant smile.

‘He walked slowly and heavily downstairs before me, still shaken by his experience, it was clear, but the hysteria had left him. I opened the front door, and he tried once more to express his in-coherent gratitude and affection. He seized my hands and kissed them repeatedly with great wet hairy kisses. Ugh! I can feel them now. And then, before turning into the night, he said in a low voice, smiling: “Clea, this is the happiest day of my life, to have seen and touched you and to have seen your little room.” ’

Clea sipped her drink, nodding into the middle distance for a moment with a sad smile on her face. Then she looked at her own brown hands and gave a little shudder. ‘Ugh! The kisses’ she said under her breath and with an involuntary movement began to rub her hands, palms upward, upon the red plush arm of the chair, as if to obliterate the kisses once and for all, to expunge the memory of them.

But now the band had begun to play a Paul Jones (perhaps the very dance in which Arnauti first met Justine?) and the warm lighted gallery of faces began to fan out once more from the centre of the darkness, the brilliance of flesh and cloth and jewels in the huge gaunt ballroom where the palms splintered themselves in the shivering mirrors: leaking through the windows to where the moonlight waited patiently among the deserted public gardens and highways, troubling the uneasy water of the outer harbour with its glittering heartless gestures. ‘Come’ said Clea, ‘why do you never play a part in these things? Why do you prefer to sit apart and study us all?’

But I was thinking as I watched the circle of lovely faces move forward and reverse among the glitter of jewellery and the rustle of silks, of the Alexandrians to whom these great varieties of experience meant only one more addition to the sum of an infinite knowledge husbanded by their world-weariness. Round and round the floor we went, the women unconsciously following the motion of the stars, of the earth as it curved into space; and then suddenly like a declaration of war, like an expulsion from the womb, silence came, and a voice crying: ‘Take your partners please.’ And the lights throbbed down the spectrum to purple and a waltz began. For a brief moment at the far end of the darkness I caught a

glimpse of Nessim and Justine dancing together, smiling into each other’s eyes. The shapely hand on his shoulder still wore the great ring taken from the tomb of a Byzantine youth. Life is short, art lon g.

Clea’s father was dancing with her, stiffly, happily like a clockwork mouse; and he was kissing the gifted hand upon which the unwanted kisses of Narouz had fallen on that forgotten evening. A daughter is closer than a wife.

‘At first’ writes Pursewarden ‘we seek to supplement the empti-ness of our individuality through love, and for a brief moment enjoy the illusion of completeness. But it is only an illusion. For this strange creature, which we thought would join us to the body of the world, succeeds at last in separating us most thoroughly from it. Love joins and then divides. How else would we be grow ing?’

How else indeed? But relieved to find myself once more partner-less I have already groped my way back to my dark corner where the empty chairs of the revellers stand like barren ears of corn.

* * * * *

XIV

n the early summer I received a letter from Clea with which this brief memorial to Alexandria may well be brought to a I close. It was unexpected.

‘ Tashkent, Syria

‘Your letter, so unexpected after a silence which I feared might endure all through life, followed me out of Persia to this small house perched high on a hillside among the cedars and pines. I have taken it for a few months in order to try my hand and brush on these odd mountains — rocks bursting with fresh water and Mediterranean flowers. Turtle doves by day and nightingales by night. What a relief after the dust. How long is it? Ah, my dear friend, I trembled a little as I slit open the envelope. Why? I was afraid that what you might have to say would drag me back by the

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