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The Alexandria Quartet - Lawrence Durrell [189]

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’t made up the rest of the story as yet.’

There was a good deal of laughter and Athena gave a well-bred shudder, drawing her shawl across her shoulders. Narouz had been listening ope n-mouthed, with reeling senses, to this recital: he was spellbound. ‘But’ he stammered ‘is all this true?’ Fresh laughter greeted his question.

‘Of course it’s true’ said Pursewarden severely, and added: ‘I have never been in Venice in my life.’

And he rose, for it was time for them to be going, and while the impassive black servants waited they put on the velveteen capes and adjusted their masks like the actors they were, comparing their ident ical reflections as they stood side by side in the two swollen mirrors among the palms. Giggles from Pierre and sallies of wit from Toto de Brunel; and so they stepped laughing into the clear night air, the inquisitors of pleasure and pain, the Alexandrians…. The cars engulfed them while the solicitous domestics and chauffeurs tucked them in, carefully as bales of precious merchan-dise or spices, tenderly as flowers. ‘I feel fragile’ squeaked Toto at these attentions. ‘This side up with care, eh? Which side up, I ask myself?’ He must have been the only person in the city not to know the answer to his own question.

When they had started, Justine leaned forward in the car and plucked his sleeve. ‘I want to whisper’ she said hoarsely though there was little need for Nessim and Narouz were discussing some-thing in harsh tones (Narouz’ voice with the characteristic boyish break in it) and Athena was squibbling to Pierre like a flute. ‘Toto

… listen. One great service tonight, if you will. I have put a chalk-mark on your sleeve, here, at the back. Later on in the evening, I want to give you my ring to wear. Shh. I want to disappear for an hour or so on my own. Hush … don’t giggle.’ But there were squeaks from the velvet hood. ‘You will have adventures in my name, dear Toto, while I am gone. Do you agree?’

He threw back his cape to show a delighted face, dancing eyes and that grim little procurer’s smile. ‘Of course’ he whispered back, enraptured by the idea and full of admiration. The feature-less hood at his side from which the voice of Justine had issued like an oracle glowed with a sort of death’s-head beauty of its own, nodding at him in the light from the passing street-lamps. The

conversation and laughter around them sealed them in a conspiracy of private silence. ‘Do you agree?’ she said.

‘Darling, of course.’

The two masked men in the front seats of the car might have been abbots of some medieval monastery, discussing theological niceties. Athena, consumed by her own voice, still babbled away to Pierre. ‘But of course.’

Justine took his arm and turned back the sleeve to show him the chalk-mark she had made. ‘I count on you’ she said, with some of the hoarse imperiousness of her speaking-voice, yet still in a whis-per. ‘Don’t let me down!’ He took her hand and raised it to his Cupid’s lips, kissing the ring from the dead finger of the Byzantine youth as one might kiss the holy picture which had performed a miracle long desired; he was to be turned from a man into a woman. Then he laughed and cried: ‘And my indiscretions will be on your head. You will spend the rest of your days….’

‘Hush.’

‘What is all this?’ cried Athena Trasha, scenting a joke or a scandal worth repetition. ‘What indiscretions?’

‘My own’ cried Toto triumphantly into the darkness. ‘My very own.’ But Justine lay back in the dark car impassively hooded, and did not speak. ‘I can’t wait to get there’ said Athena, and turned back to Pierre. As the car turned into the gate of the Cervoni house, the light caught the intaglio, throwing into relief (colour of burnt milk) a Pan raping a goat, his hands grasping its horns, his head thrown back in ecstasy. ‘Don’t forget’ Justine said once more, for the last time, allowing him to maul her hand with gratitude for such a wonderful idea. ‘Don’t forget’ allow ing her ringed fingers to lie in his, cool and unfeeling as a cow which allows itself to be milked. ‘Only tell me all the interesting conversations you have, won

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