The Alexandria Quartet - Lawrence Durrell [179]
‘Nimrod tells me that once he used to be very popular in his quartier, but that latterly he had started to interfere with ritua l cir-cumcision among the children and became much hated. You know how the Arabs are. Indeed, that they threatened to poison him more than once. These things preyed upon his mind as one may understand. He had been many years down there and I suppose he had no other life of his own. It happens to so many expatriates, does it not? Anyway, latterly he began to drink and to “walk in his sleep” as the Armenians say. Everyone tried to make allowances for him and two constables were detailed to look after him on these jaunts. But on the night of his death he gave them all the slip.
‘ “Once they start dressing up” says Nimrod (he is really utterly humourless), “it’s the beginning of the end.” And so there it is. Don’t mistake my tone for flippancy. Medicine has taught me to look on things with ironic detachment and so conserve the powers of feeling which should by rights be directed towards those we love and which are wasted on those who die. Or so I think.
‘What on earth, after all, is one to make of life with its grotesque twists and turns? And how, I wonder, has the artist the temerity to try and impose a pattern upon it which he infects with his own meanings? (This is aimed slightly in your direction) I suppose you would reply that it is the duty of the pilot to make comprehensible the shoals and quicksands, the joys and misfortunes, and so give the rest of us power over them. Yes, but….
‘I desist for tonight. Clea took in the old man’s parrot; it was she who paid the expenses of his funeral. Her portrait of him still stands I believe upon a shelf in her now untenanted room. As for the parrot, it apparently still spoke in his voice and she said she was frequently startled by the things it came out with. Do you think one’s soul could enter the body of a green Amazon parrot to carry the memory of one forward a little way into Time? I would like to think so. But this is old history now.’
IX
henever Pombal was grievously disturbed about some-thing (‘ Mon Dieu! Today I am decomposed!’ he would W say in his quaint English) he would take refuge in a magistral attack of gout in order to remind himself of his Norman ancestry. He kept an old-fashioned high-backed court chair, covered in red velveteen, for such occasions. He would sit with his wadded leg up on a footstool to read the Mercure and ponder on the possible reproof and transfer which might follow upon his latest gaffe whatever that might happen to be. His whole Chancery, he knew, was against him and considered his conduct (he drank too much and chased women) as prejudicial to the service. In fact, they were jealous because his means, which were not large enough to free him altogether from the burden of working for a living, per-mitted him nevertheless to live more or less en prince — if you could call the smoky little flat we shared princely.
As I climbed the stairs today I knew that he was in a decomposed state from the peevish tone in which he spoke. ‘It is not news’ he was repeating hysterically. ‘I forbid you to publish.’ One-eyed Hamid met me in the hall which smelt of frying, and waved a tender hand in the air. ‘The Miss has gone’ he whispered, indicat-ing Melissa’s departure, ‘back six o’clock. Mr. Pombal very not good.’ He pronounced my friend’s name as if it contained no vowels: thus: Pmbl.
I found Keats was with him in the sitting-room, his large and perspiring frame stretched awkwardly across the sofa. He was grinning and his hat was on the back of his head. Pombal was perched in his gout-chair, looking mournful and peevish. I recog-nized the signs not only of a hangover but of yet another committed gaffe. What had Keats got hold of now? ‘Pombal’ I said, ‘what the devil has happened to your car?’ He groaned and clutched his dewlaps as if imploring me to leave the whole subject alone; obviously Keats had been teasing him about just that. The little car in question, so dear to Pombal’s heart, now stood outside the front door, badly buckled and smashed. Keats gave a snuffle-gulp.