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The Alexandria Quartet - Lawrence Durrell [11]

By Root 21146 0

Capodistria sits remote from it all, in his immaculate shark-skin coat with the coloured silk handkerchief lolling at his breast. His narrow shoes gleam. His friends call him Da Capo because of a sexual prowess reputed to be as great as his fortune — or his ugliness. He is obscurely related to Justine who says of him: ‘I pity him. His heart has withered in him and he has been left with the five senses, like pieces of a broken wineglass.’ However a life of such striking monotony does not seem to depress him. His family is noted for the number of suicides in it, and his psycho-logical inhe ritance is an unlucky one with its history of mental disturbance and illness. He is unperturbed however and says, touching his temples with a long forefinger: ‘All my ancestors went wrong here in the head. My father also. He was a great womanizer. When he was very old he had a model of the perfect woman built in rubber — life-size. She could be filled with hot water in the winter. She was strikingly beautiful. He called her

Sabina after his mother, and took her everywhere. He had a passion for travelling on ocean liners and actually lived on one for the last two years of his life, travelling backwards and forwards to New York. Sabina had a wonderful wardrobe. It was a sight to see them come into the dining-saloon, dressed for dinner. He travelled with his keeper, a manservant called Kelly. Between them, held on either side like a beautiful drunkard, walked Sabina in her marvellous evening clothes. The night he died he said to Kelly:

“Send Demetrius a telegram and tell him that Sabina died in my arms tonight without any pain.” She was buried with him off Naples.’ His laughter is the most natural and unfeigned of any I have ever heard.

Later when I was half mad with worry and heavily in Capo-distria’s debt, I found him less accommodating a companion; and one night, there was Melissa sitting half drunk on the footstool by the fire holding in those long reflective fingers the I.O.U. which I had made out to him with the curt word ‘ discharged’ written across it in green ink…. These memories wound. Melissa said:

‘Justine would have paid your debt from her immense fortune. I did not want to see her increase her hold over you. Besides, even though you no longer care for me I still wanted to do something for you — and this was the least of sacrifices. I did not think that it would hurt you so much for me to sleep with him. Have you not done the same for me — I mean did you not borrow the money from Justine to send me away for the X-ray business? Though you lied about it I knew. I won’t lie, I never do. Here, take it and destroy it: but don’t gamble with him any more. He is not of your kind.’ And turning her head she made the Arab motion of spitting.

* * * * *

Of Nessim’s outer life — those immense and boring receptions, at first devoted to business colleagues but later to become devoted to obscure political ends — I do not wish to write. As I slunk through the great hall and up the stairs to the studio I would pause to study the great leather shield on the mantelpiece with its plan of the table — to see who had been placed on Justine’s right and left. For a short while they made a kindly attempt to include me in these gatherings but I rapidly tired of them and pleaded illness,

though I was glad to have the run of the studio and the immense library. And afterwards we would meet like conspirators and Justine would throw off the gay, bored, petulant affectations which she wore in her social life. They would kick off their shoes and play piquet by candle-light. Later, going to bed, she would catch sight of herself in the mirror on the first landing and say to her reflection : ‘Tiresome pretentious hysterical Jewess that you are!’

* * * * *

Mnemjian’s Babylonian barber’s shop was on the corner of Fuad I and Nebi Daniel and here every morning Pombal lay down beside me in the mirrors. We were lifted simultaneously and swung smoothly down into the ground wrapped like dead Pharaohs, only to reappear at the same instant on the ceiling, spread out like specimens. White cloths had been spread over us by a small black boy while in a great Victorian moustache-cup the barber thwacked up his dense and sweet-smelling lather before applying it in direct considered brush-strokes to our cheeks. The first covering com-plete, he surrendered his task to an assistant while he went to the great strop hanging among the flypapers on the end wall of the shop and began to sweeten the edge of an English razor. Little Mnemjian is a dwarf with a violet eye that has never lost its childhood. He is the Memory man, the archives of the city. If you should wish to know the ancestry or income of the most casual passer-by you have only to ask him; he will recite the details in a sing-song voice as he strops his razor and tries it upon the coarse black hair of his forearm. What he does not know he can find out in a matter of moments. Moreover he is as well briefed in the living as in the dead; I mean this in the literal sense, for the Greek Hospital employs him to shave and lay out its victims before they are committed to the undertakers

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