The Acceptance World - Anthony Powell [16]
‘Of course I know about Isbister, R.A.,’ he said. ‘He painted that shocking picture of my old man. I tried to pop it when he dropped off the hooks, but there were no takers. I know about St. John Clarke, too. Mona reads his books. Absolutely laps them up, in fact.’
‘Who is Mona?’
‘Oh, yes, you haven’t met her yet, have you? Mona is my wife.’
‘But, my dear Peter, I had no idea you were married.’
‘Strange, isn’t it? Our wedding anniversary, matter of fact. Broke as I am, I thought we could gnaw a cutlet at the Grill to celebrate. Why not join us? Your chap is obviously not going to turn up.’
He began to speak of his own affairs, talking in just the way he did when we used to have tea together at school. Complaining of having lost a lot of money in ‘the slump’, he explained that he still owned a house in the neighbourhood of Maidenhead.
‘More or less camping out there now,’ he said. ‘With a married couple looking after us. The woman does the cooking. The man can drive a car and service it pretty well, but he hasn’t the foggiest idea about looking after my clothes.’
I asked about his marriage.
‘We met first at a road-house near Staines. Mona was being entertained there by a somewhat uncouth individual called Snider, an advertising agent. Snider’s firm was using her as a photographer’s model. You’ll know her face when you see her. Laxatives—halitosis—even her closest friend wouldn’t tell her—and so on.’
I discovered in due course that Mona’s chief appearance on the posters had been to advertise toothpaste; but both she and her husband were inclined to emphasise other more picturesque possibilities.
‘She’d already had a fairly adventurous career by then,’ Templer said.
He began to enlarge on this last piece of information, like a man unable to forgo irritating the quiescent nerve of a potentially aching tooth. I had the impression that he was still very much in love with his wife, but that things were perhaps not going as well as he could wish. That would explain a jerkiness of manner that suggested worry. The story itself seemed commonplace enough, yet containing implications of Templer’s own recurrent desire to escape from whatever world enclosed him.
‘She says she’s partly Swiss,’ he said. ‘Her father was an engineer in Birmingham, always being fired for being tight. ‘However, both parents are dead. The only relation she’s got is an aunt with a house in Worthing—a boarding-house, I think.’
I saw at once that Mona, whatever else her characteristics, was a wife liberally absolving Templer from additional family ties. That fact, perhaps counting for little compared with deeper considerations, would at the same time seem a great advantage in his eyes. This desire to avoid new relations through marriage was connected with an innate unwillingness to identify himself too closely with any one social group. In that taste, oddly enough, he resembled Uncle Giles, each of them considering himself master of a more sweeping mobility of action by voluntary withdrawal from competition at any given social level of existence.
At the time of narration, I did not inwardly accept all Templer’s highly coloured statements about his wife, but I was impressed by the apparent depths of his feeling for Mona. Even when telling the story of how his marriage had come about, he had completely abandoned any claim to have employed those high-handed methods he was accustomed to advocate for controlling girls of her sort. I asked what time she was due at the Ritz.
‘When she comes out of the cinema,’ he said. ‘She was determined to see Madchen in Uniform. I couldn’t face it. After all, one meets quite enough lesbians in real life without going to the pictures to see them.’
‘But it isn’t a film about lesbians.’
‘Oh, isn’t it?’ said Templer. ‘Mona thought it was. She’ll be disappointed if you’re right. However, I’m sure you’re wrong. Jimmy Brent told me about it. He usually knows what’s what in matters of that kind. My sister Jean is with Mona. Did you ever meet her? I can’t remember. They may be a little late, but I