Temporary Kings - Anthony Powell [94]
‘Have to date heard nothing from your friend about blocks. Weather here good. D. McN. T.’
That, at least, indicated none of the disaster, threatening Widmerpool on account of Dr Belkin’s absence from the Conference, had resulted in Tokenhouse suffering comparable repercussions. I had intended to ask the Quiggins about the blocks for the Cubist series, when walking with them after luncheon at the Soviet Embassy. More personally engrossing matters had intervened. The blocks remained forgotten. I sent Tokenhouse a postcard of Nelson’s Column, saying (in army parlance) the matter would be looked into, a report forwarded.
In early summer, Isobel and I went by chance to a musical party organized by Rosie and Odo Stevens. It was a charity affair, our inclusion nothing to do with the meeting in Venice. In fact, the people who brought us knew the Stevenses hardly at all. I make this point to emphasize that guests present at this particular entertainment were not handpicked. No doubt everyone who received an invitation, in the first instance, was an acquaintance of some sort. Beyond such intermediaries stretched a relatively anonymous conflux of persons, whose passport to the house lay only in willingness to buy a ticket. Had things been otherwise, the evening might have turned out differently; possibly not certain other events that followed.
The Stevens house in Regent’s Park, not large by the standards of Rosie’s parents, though done up inside with a touch of the old Manasch resplendence, had room for a marquee to be built out on to a flat roof at the back to create an improvised auditorium, accommodating a respectable number of persons. Rosie had inherited two or three very acceptable pictures, and pieces of furniture, which Hugo Tolland, speaking from an antique dealer’s point of view, regarded with respect. He had sold her two French commodes from his own shop, so they had not been acquired cheaply. Offering this sort of show for a charitable purpose was, on Rosie’s part, a pious memento of the days when Sir Herbert and Lady Manasch, great patrons of the arts, had mounted similar projects. Stevens himself, claiming musical enthusiasms, as well as a strong taste for parties, may on this occasion have been at least as responsible as his wife. The ‘good cause’ was connected with one or more of the emergent African countries; the piece to be performed, Mozart’s Die Entführung aus dent Serail – the ‘Seraglio’. The price of a ticket included supper after the opera had been performed.
Like the Soviet luncheon party – some of the same guests – there was a distinctly political flavour about the people collected, before the performance, in the Stevens drawing-room, MPs from both sides of the house, some African diplomatic representatives. This time the musical world, Rosie always maintaining links there, took the place of writers. Many of those present were unknown to myself. I recognized a Tory Cabinet Minister, and a female member of the Labour Shadow Cabinet, from pictures in the press. The music critic, Gossage, and Norman Chandler, who directed now, rather than dancing or acting, had come together. Gossage, a trifle more dried up and toothy than formerly, had exchanged his former pince-nez for rimless spectacles. His little moustache had gone white. Chandler, slightly filled out from the skeletal thinness of his younger days, retained a marionette-like appearance, a marionette now of a certain age. Living in one of the Ted Jeavons flats, Chandler had developed into rather a crony of Jeavons. They used to watch television together.
‘Don’t think there’s much fear I’ll be suspected,’ Jeavons said. ‘All the same, you never know what people will say behind your back.’
On arrival, Isobel had paused to talk with Rosie, who had been a former friend of Molly Jeavons. Moving through the crowd, I came on Audrey Maclintick. She announced the unforeseen fact that Moreland had advised on the Seraglio’s production. Quite apart from his poor health, that was unexpected. Moreland had always set his face against charity performances, although there had been occasions in the past when he had been more or less forced to take part in them. Audrey Maclintick agreed their presence was unlooked for. She added that it was not at all the sort of party she was used to. She had said just the same thing when Mrs Foxe had given a party for Moreland