Sophie's Choice - William Styron [262]
And (totally aside from the money) Nathan returned once more to that role of supportive brother-figure, mentor, constructive critic and all-purpose cherished older friend whom I had so looked up to from the very beginning. Again he began to absorb my exhaustively worked-over prose, taking the manuscript upstairs with him to read after several days’ work, when I had acquired twenty-five or thirty pages, and returning a few hours later, usually smiling, almost always ready to bestow upon me the single thing I needed most—praise—though hardly ever praise that was not modified or honestly spiced by a dollop of tough criticism; his eye for the sentence hobbled by an awkward rhythm, for the attitudinized reflection, the onanistic dalliance, the less than felicitous metaphor, was unsparingly sharp. But for the most part I could tell that he was in a straightforward way captivated by my dark Tidewater fable, by the landscape and the weather which I had tried to render with all the passion, precision and affection that it was within my young unfolding talent to command, by the distraught little group of characters taking flesh on the page as I led them on their anxiety-sick, funereal journey across the Virginia lowlands, and, I think, finally and most genuinely by some fresh vision of the South that (despite the influence of Faulkner which he detected and to which I readily admitted) was uniquely and, as he said, “electrifyingly” my own. And I was secretly delighted by the knowledge that subtly, through the alchemy of my art, I seemed gradually to be converting Nathan’s prejudice against the South into something resembling acceptance or understanding. I found that he no longer directed at me his jibes about harelips and ringworm and lynchings and rednecks. My work had begun to affect him strongly, and because I so admired and respected him I was infinitely touched by his response.
“That party scene at the country club is terrific,” he said to me as we sat in my room early one Saturday afternoon. “Just that little scrap of dialogue between the mother and the colored maid—I don’t know, it just seems to me right on target. That sense of summer in the South, I don’t know how you do it.”
I preened inwardly, murmuring my thanks and swallowed part of a can of beer. “It’s coming along fairly well,” I said, conscious of my strained modesty. “I’m glad you like it, really glad.”
“Maybe I should go down South,” he said, “see what it’s like. This stuff of yours whets my appetite. You could be the guide. How would that suit you, old buddy? A trip through the old Confederacy.”
I found myself positively leaping at the idea. “God, yes!” I said. “That would be just tremendous! We could start in Washington and head on down. I have an old school pal in Fredericksburg who’s a great Civil War buff. We could stay with him and visit all the northern Virginia battlefields. Manassas, Fredericksburg, the Wilderness, Spotsylvania—the whole works. Then we’d get a car and go down to Richmond, see Petersburg, head toward my father’s farm down in Southampton County. Pretty soon they’ll be harvesting peanuts...”
I could tell that Nathan had warmed immediately to this proposal, or endorsement, nodding vigorously while in my own wound-up zeal I continued to embellish the outlines of the travelogue. I saw the trip as educative, serious, comprehensive—but fun. After Virginia: the coastal region of North Carolina where my dear old daddy grew up, then Charleston, Savannah, Atlanta, and a slow journey through the heart of Dixieland, the sweet bowels of the South—Alabama, Mississippi—finally ending up in New Orleans, where the oysters were plump and juicy and two cents apiece, the gumbo was glorious and the crawfish grew on trees.