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Sons and Lovers (Barnes & Noble Classics - D. H. Lawrence [211]

By Root 14723 0
” he said.

“Then,” she answered, “I’ll come later.”

Dawes jerked suddenly, as if he had been held on a strain. He looked out over the sea, but he saw nothing.

“There are one or two books in the corner,” said Morel. “I’ve done with ’em.”

At about four o’clock he went.

“I shall see you both later,” he said, as he shook hands.

“I suppose so,” said Dawes. “An’ perhaps—one day—I s’ll be able to pay you back the money as—”

“I shall come for it, you’ll see,” laughed Paul. “I s’ll be on the rocks before I’m very much older.”

“Ay—well—” said Dawes.

“Good-bye,” he said to Clara.

“Good-bye,” she said, giving him her hand. Then she glanced at him for the last time, dumb and humble.

He was gone. Dawes and his wife sat down again.

“It’s a nasty day for travelling,” said the man.

“Yes,” she answered.

They talked in a desultory fashion until it grew dark. The landlady brought in the tea. Dawes drew up his chair to the table without being invited, like a husband. Then he sat humbly waiting for his cup. She served him as she would, like a wife, not consulting his wish.

After tea, as it drew near to six o’clock, he went to the window. All was dark outside. The sea was roaring.

“It’s raining yet,” he said.

“Is it?” she answered.

“You won’t go to-night, shall you?” he said, hesitating.

She did not answer. He waited.

“I shouldn’t go in this rain,” he said.

“Do you want me to stay?” she asked.

His hand as he held the dark curtain trembled.

“Yes,” he said.

He remained with his back to her. She rose and went slowly to him. He let go the curtain, turned, hesitating, towards her. She stood with her hands behind her back, looking up at him in a heavy, inscrutable fashion.

“Do you want me, Baxter?” she asked.

His voice was hoarse as he answered:

“Do you want to come back to me?”

She made a moaning noise, lifted her arms, and put them round his neck, drawing him to her. He hid his face on her shoulder, holding her clasped.

“Take me back!” she whispered, ecstatic. “Take me back, take me back!” And she put her fingers through his fine, thin dark hair, as if she were only semi-conscious. He tightened his grasp on her.

“Do you want me again?” he murmured, broken.

15

Derelict

CLARA WENT with her husband to Sheffield, and Paul scarcely saw her again. Walter Morel seemed to have let all the trouble go over him, and there he was, crawling about on the mud of it, just the same. There was scarcely any bond between father and son, save that each felt he must not let the other go in any actual want. As there was no one to keep on the home, and as they could neither of them bear the emptiness of the house, Paul took lodgings in Nottingham, and Morel went to live with a friendly family in Bestwood.

Everything seemed to have gone smash for the young man. He could not paint. The picture he finished on the day of his mother’s death—one that satisfied him—was the last thing he did. At work there was no Clara. When he came home he could not take up his brushes again. There was nothing left.

So he was always in the town at one place or another, drinking, knocking about with the men he knew. It really wearied him. He talked to barmaids, to almost any woman, but there was that dark, strained look in his eyes, as if he were hunting something.

Everything seemed so different, so unreal. There seemed no reason why people should go along the street, and houses pile up in the daylight. There seemed no reason why these things should occupy the space, instead of leaving it empty. His friends talked to him: he heard the sounds, and he answered. But why there should be the noise of speech he could not understand.

He was most himself when he was alone, or working hard and mechanically at the factory. In the latter case there was pure forgetfulness, when he lapsed from consciousness. But it had to come to an end. It hurt him so, that things had lost their reality. The first snowdrops came. He saw the tiny droppearls among the grey. They would have given him the liveliest emotion at one time. Now they did not seem to mean anything. In a few moments they would cease to occupy that place, and just the space would be, where they had been. Tall, brilliant tram-cars ran along the street at night. It seemed almost a wonder they should trouble to rustle backwards and forwards.

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