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Some Do Not . . ._ A Novel - Ford Madox Ford [78]

By Root 8867 0

They had two floors of a great building, and that gave them a great deal of space; the breakfast-room, in which during the war they also lunched, was an immense room, completely lined with books that were nearly all calf-backed, with an immense mirror over an immense, carved, yellow and white marble mantelpiece, and three windows that, in their great height, with the spideriness of their divisions and their odd, bulging glass--some of the panes were faintly violet in age--gave to the room an eighteenth-century distinction. It suited, she admitted, Tietjens, who was an eighteenth-century figure of the Dr Johnson type--the only eighteenth-century type of which she knew, except for that of the beau something who wore white satin and ruffles, went to Bath and must have been indescribably tiresome.

Above, she had a great white drawing-room, with fixings that she knew were eighteenth century and to be respected. For Tietjens--again she admitted--had a marvellous gift for old furniture: he despised it as such, but he knew it down to the ground. Once when her friend Lady Moira had been deploring the expense of having her new, little house furnished from top to toe under the advice of Sir John Robertson, the specialist (the Moiras had sold Arlington Street lock, stock, and barrel to some American), Tietjens, who had come in to tea and had been listening without speaking, had said, with the soft good nature, rather sentimental in tone, that once in a blue moon he would bestow on her prettiest friends:

'You had better let me do it for you.'

Taking a look round Sylvia's great drawing-room, with the white panels, the Chinese lacquer screens, the red lacquer and ormolu cabinets and the immense blue and pink carpet (and Sylvia knew that if only for the three panels by a fellow called Fragonard, bought just before Fragonards had been boomed by the late King, her drawing-room was something remarkable), Lady Moira had said to Tietjens, rather flutteringly and almost with the voice with which she began one of her affairs:

'Oh, if only you would.'

He had done it, and he had done it for a quarter of the estimate of Sir John Robertson. He had done it without effort, as if with a roll or two of his elephantine shoulders, for he seemed to know what was in every dealer's and auctioneer's catalogue by looking at the green halfpenny stamp on the wrapper. And, still more astonishingly, he had made love to Lady Moira--they had stopped twice with the Moiras in Gloucestershire and the Moiras had three times week-ended with Mrs Satterthwaite as the Tietjens ens' invités...Tietjens had made love to Lady Moira quite prettily and sufficiently to tide Moira over until she was ready to begin her affair with Sir William Heathly.

For the matter of that, Sir John Robertson, the specialist in old furniture, challenged by Lady Moira to pick holes in her beautiful house, had gone there, poked his large spectacles against cabinets, smelt the varnish of table tops and bitten the backs of chairs in his ancient and short-sighted way, and had then told Lady Moira that Tietjens had bought her nothing that wasn't worth a bit more than he had given for it. This increased their respect for the old fellow: it explained his several millions. For, if the old fellow proposed to make out of a friend like Moira a profit of 300 per cent--limiting it to that out of sheer affection for a pretty woman--what wouldn't he make out of a natural--and national--enemy like a United States senator!

And the old man took a great fancy to Tietjens himself--which Tietjens, to Sylvia's bewilderment, did not resent. The old man would come in to tea and, if Tietjens were present, would stay for hours talking about old furniture. Tietjens would listen without talking. Sir John would expatiate over and over again about this to Mrs Tietjens. It was extraordinary. Tietjens went purely by instinct: by taking a glance at a thing and chancing its price. According to Sir John one of the most remarkable feats of the furniture trade had been Tietjens' purchase of the Hemingway bureau for Lady Moira. Tietjens, in his dislikeful way, had bought this at a cottage sale for

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