Slaughterhouse-Five - Kurt Vonnegut [46]
Dear Margaret—We are leaving for Dresden today. Don’t worry. It will never be bombed. It is an open city. There was an election at noon, and guess what? And so on.
They came to the prison railroad yard again. They had arrived on only two cars. They would depart far more comfortably on four. They saw the dead hobo again. He was frozen stiff in the weeds beside the track. He was in a fetal position, trying even in death to nestle like a spoon with others. There were no others now. He was nestling with thin air and cinders. Somebody had taken his boots. His bare feet were blue and ivory. It was all right, somehow, his being dead. So it goes.
• • •
The trip to Dresden was a lark. It took only two hours. Shriveled little bellies were full. Sunlight and mild air came in through the ventilators. There were plenty of smokes from the Englishmen.
The Americans arrived in Dresden at five in the afternoon. The boxcar doors were opened, and the doorways framed the loveliest city that most of the Americans had ever seen. The skyline was intricate and voluptuous and enchanted and absurd. It looked like a Sunday school picture of Heaven to Billy Pilgrim.
Somebody behind him in the boxcar said, “Oz.” That was I. That was me. The only other city I’d ever seen was Indianapolis, Indiana.
Every other big city in Germany had been bombed and burned ferociously. Dresden had not suffered so much as a cracked windowpane. Sirens went off every day, screamed like hell, and people went down into cellars and listened to radios there. The planes were always bound for someplace else—Leipzig, Chemnitz, Plauen, places like that. So it goes.
Steam radiators still whistled cheerily in Dresden. Streetcars clanged. Telephones rang and were answered. Lights went on and off when switches were clicked. There were theaters and restaurants. There was a zoo. The principal enterprises of the city were medicine and food-processing and the making of cigarettes.
People were going home from work now in the late afternoon. They were tired.
Eight Dresdeners crossed the steel spaghetti of the railroad yard. They were wearing new uniforms. They had been sworn into the army the day before. They were boys and men past middle age, and two veterans who had been shot to pieces in Russia. Their assignment was to guard one hundred American prisoners of war, who would work as contract labor. A grandfather and his grandson were in the squad. The grandfather was an architect.
The eight were grim as they approached the boxcars containing their wards. They knew what sick and foolish soldiers they themselves appeared to be. One of them actually had an artificial leg, and carried not only a loaded rifle but a cane. Still—they were expected to earn obedience and respect from tall, cocky, murderous American infantrymen who had just come from all the killing at the front.
And then they saw bearded Billy Pilgrim in his blue toga and silver shoes, with his hands in a muff. He looked at least sixty years old. Next to Billy was little Paul Lazzaro with a broken arm. He was fizzing with rabies. Next to Lazzaro was the poor old high school teacher, Edgar Derby, mournfully pregnant with patriotism and middle age and imaginary wisdom. And so on.
The eight ridiculous Dresdeners ascertained that these hundred ridiculous creatures really were American fighting men fresh from the front. They smiled, and then they laughed. Their terror evaporated. There was nothing to be afraid of. Here were more crippled human beings, more fools like themselves. Here was light opera.
So out of the gate of the railroad yard and into the streets of Dresden marched the light opera. Billy Pilgrim was the star. He led the parade. Thousands of people were on the sidewalks, going home from work. They were watery and putty-colored, having eaten mostly potatoes during the past two years. They had expected no blessings beyond the mildness of the day. Suddenly—here was fun.
Billy did not meet many of the eyes that found him so entertaining. He was enchanted by the architecture of the city. Merry amoretti wove garlands above windows. Roguish fauns and naked nymphs peeked down at Billy from festooned cornices. Stone monkeys frisked among scrolls and seashells and bamboo.