Point Counter Point - Aldous Huxley [213]
‘They ransacked the house. There was no string to be found. They had to be content with three bandages, which Spandrell found among the aspirin and iodine, the boracic powder and vegetable laxatives of the little medicine cupboard in the bathroom.
‘Hold the arms in place while I tie,’ commanded Spandrell.
Illidge did as he was told. But the coldness of those dead wrists against his fingers was horrible; he felt sick again, he began to tremble.
‘There!’ said Spandrell, straightening himself up. ‘Now the legs. Thank goodness we didn’t leave it much longer.’
‘Treated like his own statue.’ The words reverberated in Illidge’s memory. ‘Posthumously, if you see what I mean.’ Posthumously… Spandrell bent one of the legs till the knee almost touched the chin.
‘Hold it.’
Illidge grasped the ankle; the socks were grey and clocked with white. Spandrell let go, and Illidge felt a sudden and startlingly powerful thrust against his retaining hand. The dead man was trying to kick. Black voids began to expand in front of his eyes, eating out holes in the solid world before him. And the solid world itself swayed and swam round the edges of those interstellar vacancies. His gorge turned, he felt horribly giddy.
‘Look here,’ he began, turning to Spandrell, who had squatted down on his heels and was tearing the wrapping off another bandage. Then shutting his eyes, he relinquished his grasp.
The leg straightened itself out like a bent spring, and the foot, as it shot forward, caught Spandrell on the shoulder and sent him, unsteadily balanced as he was, sprawling backwards on to the floor.
He picked himself up. ‘You bloody fool!’ But the anger aroused by that first shock of surprise died down. He uttered a little laugh. ‘We might be at the circus,’ he said. It was not only not tragic; it was a clownery.
By the time the body was finally trussed, Illidge knew that Tom’s weak lungs and twohundred-guinea coats, that superfluous fat and his mother’s lifelong slaving, that rich and poor, oppression and revolution, justice, punishment, indignation—all, as far as he was concerned, were utterly irrelevant to the fact of these stiffening limbs, this mouth that gaped, these half-shut, glazed and secretly staring eyes. Irrelevant, and beside the point.
Philip was dining alone. In front of his plate half a bottle of claret and the water-jug propped up an open volume. He read between the mouthfuls, as he masticated. The book was Bastian’s On the Brain. Not very up to date, perhaps, but the best he could find in his father’s library to keep him amused in the train. Halfway through the fish, he came upon the case of the Irish gentleman who had suffered from paraphasia, and was so much struck by it that he pushed aside his plate and, taking out his pocket-book, made a note of it at once. The physician had asked the patient to read aloud a paragraph from the statutes of Trinity College, Dublin. ‘It shall be in the power of the College to examine or not examine every Licentiate previous to his admission to a fellowship, as they shall think fit.’ What the patient actually read was: ‘An the bee-what in the teemother of the trothodoodoo, to majoram or that emidrate, eni eni krastrei, mestreit to ketra totombreidei, to ra from treido as that kekritest.’ Marvellous! Philip said to himself as he copied down the last word. What style! what majestic beauty! The richness and sonority of the opening phrase! ‘An the bee-what in the teemother of the trothodoodoo.’ He repeated it to himself. ‘I shall print it on the title-page of my next novel,’ he wrote in his notebook. ‘The epigraph the text of the whole sermon.’ Shakespeare only talked about tales told by an idiot. But here was the idiot actually speaking Shakespeareanly, what was more. ‘The final word about life,’ he added in pencil.
At the Queen’s Hall Tolley began with Erik Satie