Point Counter Point - Aldous Huxley [185]
’t let down. How well he did it! His voice took you in the solar plexus, like those upper partials on the trumpets. Moving and convincing, even though you knew that what he said was vague and more or less meaningless. I analysed the tricks. They were the usual ones. The most effective was the employment of inspiring words with two or more meanings. ‘Liberty,’ for example. The liberty in the title and programme of the British Freemen is the liberty to buy and sell and own property with a minimum of government interference. (A pretty large minimum, parenthetically; but let that pass.) Everard bawls out the word in his solar-plexus-punching voice: ‘we are fighting for liberty; we are going to free the country,’ etcetera. The hearer immediately visualizes himself sitting in shirt-sleeves with a bottle and a complaisant wench and no laws, no code of good manners, no wife, no policeman, no parson to forbid. Liberty! Naturally it arouses his enthusiasm. It’s only when the British Freemen come to power that he’ll realize that the word was really used in an entirely different sense. Divide and conquer. I conquered. P. S.—Or rather one part of me conquered. I’ve got into the habit of associating myself with that part and applauding when it triumphs. But, after all, is it the best part? In these particular circumstances, perhaps yes. It’s probably better to be dispassionately analytical than to be overwhelmed by Everard’s stage-managing and eloquence into becoming a British Freeman. But in other circumstances? Rampion’s probably right. But having made a habit of dividing and conquering in the name of the intellect, it’s hard to stop. And perhaps it isn’t entirely a matter of second nature; perhaps first nature comes in too. It’s easy to believe one ought to change one’s mode of living. The difficulty is to act on the belief. This settlement in the country, for example; this being rustic and paternal and a good neighbour; this living vegetably and intuitively—is it really going to be possible? I imagine it; but in fact, in fact…? Meanwhile, it might be rather interesting to concoct a character on these lines. A man who has always taken pains to encourage his own intellectualist tendencies at the expense of all the others. He avoids personal relationships as much as he can, he observes without participating, doesn’t like to give himself away, is always a spectator rather than an actor. Again, he has always been careful not to distinguish one day, one place from another; not to review the past and anticipate the future at the New Year, not to celebrate Christmas or birthdays, not to revisit the scenes of his childhood, not to make pilgrimages to the birthplaces of great men, battlefields, ruins and the like. By this suppression of emotional relationships and natural piety he seems to himself to be achieving freedom—freedom from sentimentality, from the irrational, from passion, from impulse and emotionalism. But in reality, as he gradually discovers, he has only narrowed and desiccated his life; and what’s more, has cramped his intellect by the very process he thought would emancipate it. His reason’s free, but only to deal with a small fraction of experience. He realizes his psychological defects, and desires, in theory, to change. But it’s difficult to break lifelong habits; and perhaps the habits are only the expression of an inborn indifference and coldness, which it might be almost impossible to overcome. And for him at any rate, the merely intellectual life is easier; it’s the line of least resistance, because it’s the line that avoids other human beings. Among them his wife. For he’d have a wife and there would be the elements of drama in the relations between the woman, living mainly with her emotions and intuitions, and the man whose existence is mainly on the abstracted intellectual plane. He loves her in his way and she loves him in hers. Which means that he’s contented and she’s dissatisfied; for love in his way entails the minimum of those warm, confiding human relationships which constitute the essence of love in her way. She complains; he would like to give more, but finds it hard to change himself. She even threatens to leave him for a more human lover; but she is too much in love with him to put the threat into effect.