Pale Fire - Vladimir Nabokov [13]
The claret taillight of that dwindling plane
Off Hesperus; your gesture of dismay
530 On running out of cigarettes; the way
You smile at dogs; the trail of silver slime
Snails leave or flagstones; this good ink, this rhyme,
This index card, this slender rubber band
Which always forms, when dropped, an ampersand,
Are found in Heaven by the newlydead
Stored in its strongholds through the years.
Instead
The Institute assumed it might be wise
Not to expect too much of paradise:
What if there’s nobody to say hullo
To the newcomer, no reception, no
540 Indoctrination? What if you are tossed
Into a boundless void, your bearings lost,
Your spirit stripped and utterly alone,
Your task unfinished, your despair unknown,
Your body just beginning to putresce,
A non-undressable in morning dress,
Your widow lying prone on a dim bed,
Herself a blur in your dissolving head!
While snubbing gods, including the big G,
550 Iph borrowed some peripheral debris
From mystic visions; and it offered tips
(The amber spectacles for life’s eclipse)—
How not to panic when you’re made a ghost:
Sidle and slide, choose a smooth surd, and coast,
Meet solid bodies and glissade right through,
Or let a person circulate through you.
How to locate in blackness, with a gasp,
Terra the Fair, an orbicle of jasp.
How to keep sane in spiral types of space.
560 Precautions to be taken in the case
Of freak reincarnation: what to do
On suddenly discovering that you
Are now a young and vulnerable toad
Plump in the middle of a busy road,
Or a bear cub beneath a burning pine,
Or a book mite in a revived divine.
Time means succession, and succession, change:
Hence timelessness is bound to disarrange
Schedules of sentiment. We give advice
570 To widower. He has been married twice:
He meets his wives; both loved, both loving, both
Jealous of one another. Time means growth,
And growth means nothing in Elysian life.
Fondling a changeless child, the flax-haired wife
Grieves on the brink of a remembered pond
Full of a dreamy sky. And, also blond,
But with a touch of tawny in the shade,
Feet up, knees clasped, on a stone balustrade
The other sits and raises a moist gaze
580 Toward the blue impenetrable haze.
How to begin? Which first to kiss? What toy
To give the babe? Does that small solemn boy
Know of the head-on crash which on a wild
March night killed both the mother and the child?
And she, the second love, with instep bare
In ballerina black, why does she wear
The earrings from the other’s jewel case?
And why does she avert her fierce young face?
For as we know from dreams it is so hard
590 To speak to our dear dead! They disregard
Our apprehension, queaziness and shame—
The awful sense that they’re not quite the same.
And our school chum killed in a distant war
Is not surprised to see us at his door,
And in a blend of jauntiness and gloom
Points at the puddles in his basement room.
But who can teach the thoughts we should roll-call
When morning finds us marching to the wall
Under the stage direction of some goon
600 Political, some uniformed baboon?
We’ll think of matters only known to us—
Empires of rhyme, Indies of calculus;
Listen to distant cocks crow, and discern
Upon the rough gray wall a rare wall fern;
And while our royal hands are being tied,
Taunt our inferiors, cheerfully deride
The dedicated imbeciles, and spit
Into their eyes just for the fun of it.
Nor can one help the exile, the old man
610 Dying in a motel, with the loud fan
Revolving in the torrid prairie night
And, from the outside, bits of colored light
Reaching his bed like dark hands from the past
Offering gems; and death is coming fast.
He suffocates and conjures in two tongues
The nebulae dilating in his lungs.
A wrench, a rift—that’s all one can foresee.
Maybe one finds le grand néant; maybe
Again one spirals from the tuber’s eye.
620 As you remarked the last time we went by
The Institute: “I really could not tell
The difference between this place and Hell.”
We heard cremationists guffaw and snort