On the Road - Jack Kerouac [20]
“And what business is that?”
“Dean and I are embarked on a tremendous season together. We’re trying to communicate with absolute honesty and absolute completeness everything on our minds. We’ve had to take benzedrine. We sit on the bed, crosslegged, facing each other. I have finally taught Dean that he can do anything he wants, become mayor of Denver, marry a millionairess, or become the greatest poet since Rimbaud. But he keeps rushing out to see the midget auto races. I go with him. He jumps and yells, excited. You know, Sal, Dean is really hung-up on things like that.” Marx said “Hmm” in his soul and thought about this..
“What’s the schedule?” I said. There was always a schedule in Dean’s life.
“The schedule is this: I came off work a half-hour ago. In that time Dean is balling Marylou at the hotel and gives me time to change and dress. At one sharp he rushes from Marylou to Camitle—of course neither one of them knows what’s going on—and bangs her once, giving me time to arrive at one-thirty. Then he comes out with me—first he has to beg with Camille, who’s already started hating me—and we come here to talk till six in the morning. We usually spend more time than that, but it’s getting awfully complicated and he’s pressed for time. Then at six he goes back to Marylou—and he’s going to spend all day tomorrow running around to get the necessary papers for their divorce. Marylou’s all for it, but she insists on banging in the interim. She says she loves him—so does Camille.”
Then he told me how Dean had met Camille. Roy Johnson, the poolhall boy, had found her in a bar and took her to a hotel; pride taking over his sense, he invited the whole gang to come up and see her. Everybody sat around talking with Camille. Dean did nothing but look out the window. Then when everybody left, Dean merely looked at Camille, pointed at his wrist, made the sign “four” (meaning he’d be back at four), and went out. At three the door was locked to Roy Johnson. At four it was opened to Dean. I wanted to go right out and see the madman. Also he had promised to fix me up; he knew all the girls in Denver.
Carlo and I went through rickety streets in the Denver night. The air was soft, the stars so fine, the promise of every cobbled alley so great, that I thought I was in a dream. We came to the rooming house where Dean haggled with Camille. It was an old red-brick building surrounded by wooden garages and old trees that stuck up from behind fences. We went up carpeted stairs. Carlo knocked; then he darted to the back to hide; he didn’t want Camille to see him. I stood in the door. Dean opened it stark naked. I saw a brunette on the bed, one beautiful creamy thigh covered with black lace, look up with mild wonder.
“Why, Sa-a-al!” said Dean. “Well now—ah—ahem—yes, of course, you’ve arrived—you old sonumbitch you finally got on that old road. Well, now, look here—we must—yes, yes, at once—we must, we really must! Now Camille—” And he swirled on her. “Sal is here, this is my old buddy from New Yor-r-k, this is his first night in Denver and it’s absolutely necessary for me to take him out and fix him up with a girl.”
“But what time will you be back?”
“It is now” (looking at his watch) “exactly one-fourteen. I shall be back at exactly three-fourteen, for our hour of reverie together, real sweet reverie, darling, and then, as you know, as I told you and as we agreed, I have to go and see the one-legged lawyer about those papers—in the middle of the night, strange as it seems and as I tho-ro-ly explained.” (This was a coverup for his rendezvous with Carlo, who was still hiding.) “So now in this exact minute I must dress, put on my pants, go back to life, that is to outside life, streets and what not, as we agreed, it is now one-fifteen and time’s running, running—”
“Well, all right, Dean, but please be sure and be back at three.”
“Just as I said, darling, and remember not three but three-fourteen. Are we straight in the deepest and most wonderful depths of our souls, dear darling?