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Nostromo - Joseph Conrad [72]

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She made an energetic gesture of negation. A silence fell.

"Oh, yes, I know it's contrary to the doctrine laid down in the 'History of Fifty Years' Misrule.' I am only trying to be sensible. But my sense seems always to give you cause for offence. Have I startled you very much with this perfectly reasonable aspiration?"

She shook her head. No, she was not startled, but the idea shocked her early convictions. Her patriotism was larger. She had never considered that possibility.

"It may yet be the means of saving some of your convictions," he said, prophetically.

She did not answer. She seemed tired. They leaned side by side on the rail of the little balcony, very friendly, having exhausted politics, giving themselves up to the silent feeling of their nearness, in one of those profound pauses that fall upon the rhythm of passion. Towards the plaza end of the street the glowing coals in the brazeros of the market women cooking their evening meal gleamed red along the edge of the pavement. A man appeared without a sound in the light of a street lamp, showing the coloured inverted triangle of his bordered poncho, square on his shoulders, hanging to a point below his knees. From the harbour end of the Calle a horseman walked his soft-stepping mount, gleaming silver-grey abreast each lamp under the dark shape of the rider.

"Behold the illustrious Capataz de Cargadores," said Decoud, gently, "coming in all his splendour after his work is done. The next great man of Sulaco after Don Carlos Gould. But he is good-natured, and let me make friends with him."

"Ah, indeed!" said Antonia. "How did you make friends?"

"A journalist ought to have his finger on the popular pulse, and this man is one of the leaders of the populace. A journalist ought to know remarkable men—and this man is remarkable in his way."

"Ah, yes!" said Antonia, thoughtfully. "It is known that this Italian has a great influence."

The horseman had passed below them, with a gleam of dim light on the shining broad quarters of the grey mare, on a bright heavy stirrup, on a long silver spur; but the short flick of yellowish flame in the dusk was powerless against the muffled-up mysteriousness of the dark figure with an invisible face concealed by a great sombrero.

Decoud and Antonia remained leaning over the balcony, side by side, touching elbows, with their heads overhanging the darkness of the street, and the brilliantly lighted sala at their backs. This was a tete-a-tete of extreme impropriety; something of which in the whole extent of the Republic only the extraordinary Antonia could be capable—the poor, motherless girl, never accompanied, with a careless father, who had thought only of making her learned. Even Decoud himself seemed to feel that this was as much as he could expect of having her to himself till—till the revolution was over and he could carry her off to Europe, away from the endlessness of civil strife, whose folly seemed even harder to bear than its ignominy. After one Montero there would be another, the lawlessness of a populace of all colours and races, barbarism, irremediable tyranny. As the great Liberator Bolivar had said in the bitterness of his spirit, "America is ungovernable. Those who worked for her independence have ploughed the sea." He did not care, he declared boldly; he seized every opportunity to tell her that though she had managed to make a Blanco journalist of him, he was no patriot. First of all, the word had no sense for cultured minds, to whom the narrowness of every belief is odious; and secondly, in connection with the everlasting troubles of this unhappy country it was hopelessly besmirched; it had been the cry of dark barbarism, the cloak of lawlessness, of crimes, of rapacity, of simple thieving.

He was surprised at the warmth of his own utterance. He had no need to drop his voice; it had been low all the time, a mere murmur in the silence of dark houses with their shutters closed early against the night air, as is the custom of Sulaco. Only the sala of the Casa Gould flung out defiantly the blaze of its four windows, the bright appeal of light in the whole dumb obscurity of the street. And the murmur on the little balcony went on after a short pause.

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