Nostromo - Joseph Conrad [155]
A long course of reading historical works, light and gossipy in tone, carried out in garrets of Parisian hotels, sprawling on an untidy bed, to the neglect of his duties, menial or otherwise, had affected the manners of Pedro Montero. Had he seen around him the splendour of the old Intendencia, the magnificent hangings, the gilt furniture ranged along the walls; had he stood upon a dais on a noble square of red carpet, he would have probably been very dangerous from a sense of success and elevation. But in this sacked and devastated residence, with the three pieces of common furniture huddled up in the middle of the vast apartment, Pedrito's imagination was subdued by a feeling of insecurity and impermanence. That feeling and the firm attitude of Charles Gould who had not once, so far, pronounced the word "Excellency," diminished him in his own eyes. He assumed the tone of an enlightened man of the world, and begged Charles Gould to dismiss from his mind every cause for alarm. He was now conversing, he reminded him, with the brother of the master of the country, charged with a reorganizing mission. The trusted brother of the master of the country, he repeated. Nothing was further from the thoughts of that wise and patriotic hero than ideas of destruction. "I entreat you, Don Carlos, not to give way to your anti-democratic prejudices," he cried, in a burst of condescending effusion.
Pedrito Montero surprised one at first sight by the vast development of his bald forehead, a shiny yellow expanse between the crinkly coal-black tufts of hair without any lustre, the engaging form of his mouth, and an unexpectedly cultivated voice. But his eyes, very glistening as if freshly painted on each side of his hooked nose, had a round, hopeless, birdlike stare when opened fully. Now, however, he narrowed them agreeably, throwing his square chin up and speaking with closed teeth slightly through the nose, with what he imagined to be the manner of a grand seigneur.
In that attitude, he declared suddenly that the highest expression of democracy was Caesarism: the imperial rule based upon the direct popular vote. Caesarism was conservative. It was strong. It recognized the legitimate needs of democracy which requires orders, titles, and distinctions. They would be showered upon deserving men. Caesarism was peace. It was progressive. It secured the prosperity of a country. Pedrito Montero was carried away. Look at what the Second Empire had done for France. It was a regime which delighted to honour men of Don Carlos's stamp. The Second Empire fell, but that was because its chief was devoid of that military genius which had raised General Montero to the pinnacle of fame and glory. Pedrito elevated his hand jerkily to help the idea of pinnacle, of fame. "We shall have many talks yet. We shall understand each other thoroughly, Don Carlos!" he cried in a tone of fellowship. Republicanism had done its work. Imperial democracy was the power of the future. Pedrito, the guerrillero, showing his hand, lowered his voice forcibly. A man singled out by his fellow-citizens for the honourable nickname of El Rey de Sulaco could not but receive a full recognition from an imperial democracy as a great captain of industry and a person of weighty counsel, whose popular designation would be soon replaced by a more solid title. "Eh, Don Carlos? No! What do you say? Conde de Sulaco—Eh?—or marquis . . ."
He ceased. The air was cool on the Plaza, where a patrol of cavalry rode round and round without penetrating into the streets, which resounded with shouts and the strumming of guitars issuing from the open doors of pulperias. The orders were not to interfere with the enjoyments of the people. And above the roofs, next to the perpendicular lines of the cathedral towers the snowy curve of Higuerota blocked a large space of darkening blue sky before the windows of the Intendencia. After a time Pedrito Montero, thrusting his hand in the bosom of his coat, bowed his head with slow dignity. The audience was over.
Charles Gould on going out passed his hand over his forehead as if to disperse the mists of an oppressive dream, whose grotesque extravagance leaves behind a subtle sense of bodily danger and intellectual decay. In the passages and on the staircases of the old palace Montero's troopers lounged about insolently, smoking and making way for no one; the clanking of sabres and spurs resounded all over the building. Three silent groups of civilians in severe black waited in the main gallery, formal and helpless, a little huddled up, each keeping apart from the others, as if in the exercise of a public duty they had been overcome by a desire to shun the notice of every eye. These were the deputations waiting for their audience. The one from the Provincial Assembly, more restless and uneasy in its corporate expression, was overtopped by the big face of Don Juste Lopez, soft and white, with prominent eyelids and wreathed in impenetrable solemnity as if in a dense cloud. The President of the Provincial Assembly, coming bravely to save the last shred of parliamentary institutions (on the English model), averted his eyes from the Administrador of the San Tome mine as a dignified rebuke of his little faith in that only saving principle.