Nineteen Eighty-Four - George Orwell [27]
Winston glanced across the hall. In the corresponding cubicle on the other side a small, precise-looking, dark-chinned man named Tillotson was working steadily away, with a folded newspaper on his knee and his mouth very close to the mouthpiece of the speakwrite. He had the air of trying to keep what he was saying a secret between himself and the telescreen. He looked up, and his spectacles darted a hostile flash in Winston’s direction.
Winston hardly knew Tillotson, and had no idea what work he was employed on. People in the Records Department did not readily talk about their jobs. In the long, windowless hall, with its double row of cubicles and its endless rustle of papers and hum of voices murmuring into speakwrites, there were quite a dozen people whom Winston did not even know by name, though he daily saw them hurrying to and fro in the corridors or gesticulating in the Two Minutes Hate. He knew that in the cubicle next to him the little woman with sandy hair toiled day in, day out, simply at tracking down and deleting from the press the names of people who had been vaporised and were therefore considered never to have existed. There was a certain fitness in this, since her own husband had been vaporised a couple of years earlier. And a few cubicles away a mild, ineffectual, dreamy creature named Ampleforth, with very hairy ears and a surprising talent for juggling with rhymes and metres, was engaged in producing garbled versions – definitive texts, they were called – of poems which had become ideologically offensive but which for one reason or another were to be retained in the anthologies. And this hall, with its fifty workers or thereabouts, was only one sub-section, a single cell, as it were, in the huge complexity of the Records Department. Beyond, above, below, were other swarms of workers engaged in an unimaginable multitude of jobs. There were the huge printing shops with their sub-editors, their typography experts and their elaborately-equipped studios for the faking of photographs. There was the tele-programmes section with its engineers, its producers and its teams of actors specially chosen for their skill in imitating voices. There were the armies of reference clerks whose job was simply to draw up lists of books and periodicals which were due for recall. There were the vast repositories where the corrected documents were stored, and the hidden furnaces where the original copies were destroyed. And somewhere or other, quite anonymous, there were the directing brains who co-ordinated the whole effort and laid down the lines of policy which made it necessary that this fragment of the past should be preserved, that one falsified, and the other rubbed out of existence.
And the Records Department, after all, was itself only a single branch of the Ministry of Truth, whose primary job was not to reconstruct the past but to supply the citizens of Oceania with newspapers, films, textbooks, telescreen programmes, plays, novels – with every conceivable kind of information, instruction or entertainment, from a statue to a slogan, from a lyric poem to a biological treatise, and from a child’s spelling book to a Newspeak dictionary. And the Ministry had not only to supply the multifarious needs of the Party, but also to repeat the whole operation at a lower level for the benefit of the proletariat. There was a whole chain of separate departments dealing with proletarian literature, music, drama and entertainment generally. Here were produced rubbishy newspapers containing almost nothing except sport, crime and astrology, sensational five-cent novelettes, films oozing with sex, and sentimental songs which were composed entirely by mechanical means on a special kind of kaleidoscope known as a versificator. There was even a whole sub-section