Midnight's Children - Salman Rushdie [74]
Threading its way through the many-headed monster of the crowd is a police car, the yellow and blue of its occupants’ uniforms transformed by the unearthly lamplight into saffron and green. (We are on Colaba Causeway now, just for a moment, to reveal that at twenty-seven minutes to midnight, the police are hunting for a dangerous criminal. His name: Joseph D’Costa. The orderly is absent, has been absent for several days, from his work at the Nursing Home, from his room near the slaughterhouse, and from the life of a distraught virginal Mary.)
Twenty minutes pass, with aaahs from Amina Sinai, coming harder and faster by the minute, and weak tiring aaahs from Vanita in the next room. The monster in the streets has already begun to celebrate; the new myth courses through its veins, replacing its blood with corpuscles of saffron and green. And in Delhi, a wiry serious man sits in the Assembly Hall and prepares to make a speech. At Methwold’s Estate goldfish hang stilly in ponds while the residents go from house to house bearing pistachio sweetmeats, embracing and kissing one another—green pistachio is eaten, and saffron laddoo-balls. Two children move down secret passages while in Agra an ageing doctor sits with his wife, who has two moles on her face like witchnipples, and in the midst of sleeping geese and motheaten memories they are somehow struck silent, and can find nothing to say. And in all the cities all the towns all the villages the little dia-lamps burn on window-sills porches verandahs, while trains burn in the Punjab, with the green flames of blistering paint and the glaring saffron of fired fuel, like the biggest dias in the world.
And the city of Lahore, too, is burning.
The wiry serious man is getting to his feet. Anointed with holy water from the Tanjore River, he rises; his forehead smeared with sanctified ash, he clears his throat. Without written speech in hand, without having memorized any prepared words, Jawaharlal Nehru begins: “… Long years ago we made a tryst with destiny; and now the time comes when we shall redeem our pledge—not wholly or in full measure, but very substantially …”
It is two minutes to twelve. At Doctor Narlikar’s Nursing Home, the dark glowing doctor, accompanied by a midwife called Flory, a thin kind lady of no importance, encourages Amina Sinai: “Push! Harder! … I can see the head! …” while in the neighboring room one Doctor Bose—with Miss Mary Pereira by his side—presides over the terminal stages of Vanita’s twenty-four-hour labor … “Yes; now; just one last try, come on; at last, and then it will be over! …” Women wail and shriek while in another room men are silent. Wee Willie Winkie—incapable of song—squats in a corner, rocking back and forth, back and forth … and Ahmed Sinai is looking for a chair. But there are no chairs in this room; it is a room designated for pacing; so Ahmed Sinai opens a door, finds a chair at a deserted receptionist’s desk, lifts it, carries it back into the pacing room, where Wee Willie Winkie rocks, rocks, his eyes as empty as a blind man’s … will she live? won’t she? … and now, at last, it is midnight.
The monster in the streets has begun to roar, while in Delhi a wiry man is saying, “… At the stroke of the midnight hour, while the world sleeps, India awakens to life and freedom …” And beneath the roar of the monster there are two more yells, cries, bellows, the howls of children arriving in the world, their unavailing protests mingling with the din of independence which hangs saffron-and-green in the night sky—“A moment comes, which comes but rarely in history, when we step out from the old to the new; when an age ends; and when the soul of a nation long suppressed finds utterance …” while in a room with saffron-and-green carpet Ahmed Sinai is still clutching a chair when Doctor Narlikar enters to inform him: “On the stroke of midnight, Sinai brother, your Begum Sahiba gave birth to a large, healthy child: a son!” Now my father began to think about me (not knowing …); with the image of my face filling his thoughts he forgot about the chair; possessed by the love of me (even though