“Civic beautification program … authorized operation of Sanjay Youth Central Committee … prepare instantly for evacuation to new site … this slum is a public eyesore, can no longer be tolerated … all persons will follow orders without dissent.” And while a loudspeaker blared, there were figures descending from vans: a brightly-colored tent was being hastily erected, and there were camp beds and surgical equipment … and now from the vans there poured a stream of finely-dressed young ladies of high birth and foreign education, and then a second river of equally-well-dressed young men: volunteers, Sanjay Youth volunteers, doing their bit for society … but then I realized no, not volunteers, because all the men had the same curly hair and lips-like-women’s-labia, and the elegant ladies were all identical, too, their features corresponding precisely to those of Sanjay’s Menaka, whom news-scraps had described as a “lanky beauty,” and who had once modeled nighties for a mattress company … standing in the chaos of the slum clearance program, I was shown once again that the ruling dynasty of India had learned how to replicate itself; but then there was no time to think, the numberless labia-lips and lanky-beauties were seizing magicians and old beggars, people were being dragged towards the vans, and now a rumor spread through the colony of magicians: “They are doing nasbandi—sterilization is being performed!”—And a second cry: “Save your women and children!”—And a riot is beginning, children who were just now playing seventiles are hurling stones at the elegant invaders, and here is Picture Singh rallying the magicians to his side, waving a furious umbrella, which had once been a creator of harmony but was now transmuted into a weapon, a flapping quixotic lance, and the magicians have become a defending army, Molotov cocktails are magically produced and hurled, bricks are drawn out of conjurers’ bags, the air is thick with yells and missiles and the elegant labia-lips and lanky-beauties are retreating before the harsh fury of the illusionists; and there goes Picture Singh, leading the assault against the tent of vasectomy … Parvati or Laylah, disobeying orders, is at my side now, saying, “My God, what are they—,” and at this moment a new and more formidable assault is unleashed upon the slum: troops are sent in against magicians, women and children.
Once, conjurers card-tricksters puppeteers and mesmerists marched triumphantly beside a conquering army; but all that is forgotten now, and Russian guns are trained on the inhabitants of the ghetto. What chance do Communist wizards have against socialist rifles? They, we, are running now, every which way, Parvati and I are separated as the soldiers charge, I lose sight of Picture Singh, there are rifle-butts beating pounding, I see one of the contortionist triplets fall beneath the fury of the guns, people are being pulled by the hair towards the waiting yawning vans; and I, too, am running, too late, looking over my shoulder, stumbling on Dalda-cans empty crates and the abandoned sacks of the terrified illusionists, and over my shoulder through the murky night of the Emergency I see that all of this has been a smoke-screen, a side-issue, because hurtling through the confusion of the riot comes a mythical figure, an incarnation of destiny and destruction: Major Shiva has joined the fray, and he is looking only for me. Behind me, as I run, come the pumping knees of my doom …
… The picture of a hovel comes into my mind: my son! And not only my son: a silver spittoon, inlaid with lapis lazuli! Somewhere in the confusion of the ghetto a child has been left alone … somewhere a talisman, guarded for so long, has been abandoned. The Friday Mosque watches impassively as I swerve duck run between the tilting shacks, my feet leading me towards flap-eared son and spittoon … but what chance did I have against those knees? The knees of the war hero are coming closer closer as I flee, the joints of my nemesis thundering towards me, and he leaps, the legs of the war hero fly through the air, closing like jaws around my neck, knees squeezing the breath out of my throat, I am falling twisting but the knees hold tight, and now a voice