Lord of the Flies - William Golding [22]
This was fascinating to Henry. He poked about with a bit of stick, that itself was wave-worn and whitened and a vagrant, and tried to control the motions of the scavengers. He made little runnels that the tide filled and tried to crowd them with creatures. He became absorbed beyond mere happiness as he felt himself exercising control over living things. He talked to them, urging them, ordering them. Driven back by the tide, his footprints became bays in which they were trapped and gave him the illusion of mastery. He squatted on his hams at the water's edge, bowed, with a shock of hair falling over his forehead and past his eyes, and the afternoon sun emptied down invisible arrows.
Roger waited too. At first he had hidden behind a great palm; but Henry's absorption with the transparencies was so obvious that at last he stood out in full view. He looked along the beach. Percival had gone off, crying, and Johnny was left in triumphant possession of the castles, He sat there, crooning to himself and throwing sand at an imaginary Percival. Beyond him, Roger could see the platform and the glints of spray where Ralph and Simon and Piggy and Maurice were diving in the pool. He listened carefully but could only just hear them.
A sudden breeze shook the fringe of palm trees, so that the fronds tossed and fluttered. Sixty feet above Roger, several nuts, fibrous lumps as big as rugby balls, were loosed from their stems. They fell about him with a series of hard thumps and he was not touched. Roger did not consider his escape, but looked from the nuts to Henry and back again.
The subsoil beneath the palm trees was a raised beach, and generations of palms had worked loose in this the stones that had lain on the sands of another shore. Roger stooped, picked up a stone, aimed, and threw it at Henry― threw it to miss. The stone, that token of preposterous time, bounced five yards to Henry's right and fell in the water. Roger gathered a handful of stones and began to throw them. Yet there was a space round Henry, perhaps six yards in diameter, into which he dare not throw. Here, invisible yet strong, was the taboo of the old life. Round the squatting child was the protection of parents and school and policemen and the law. Roger's arm was conditioned by a civilization that knew nothing of him and was in ruins.
Henry was surprised by the plopping sounds in the water. He abandoned the noiseless transparencies and pointed at the center of the spreading rings like a setter. This side and that the stones fell, and Henry turned obediently but always too late to see the stones in the air. At last he saw one and laughed, looking for the friend who was teasing him. But Roger had whipped behind the palm again, was leaning against it breathing quickly, his eyelids fluttering. Then Henry lost interest in stones and wandered off.
"Roger."
Jack was standing under a tree about ten yards away. When Roger opened his eyes and saw him, a darker shadow crept beneath the swarthiness of his skin; but Jack noticed nothing. He was eager, impatient, beckoning, so that Roger went to him.
There was a small pool at the end of the river, dammed back by sand and full of white water-lilies and needle-like reeds. Here Sam and Eric were waiting, and Bill. Jack, concealed from the sun, knelt by the pool and opened the two large leaves that he carried. One of them contained white clay, and the other red. By them lay a stick of charcoal brought down from the fire.
Jack explained to Roger as he worked.
"They don't smell me. They see me, I think. Something pink, under the trees."
He smeared on the clay.
"If only I'd some green!"
He turned a half-concealed face up to Roger and answered the incomprehension of his gaze.
"For hunting. Like in the war. You know―dazzle paint. Like things trying to look like something else―" He twisted in the urgency of telling. "―Like moths on a tree trunk."
Roger understood and nodded gravely. The twins moved toward Jack and began to protest timidly about something. Jack waved them away.
"Shut up."
He rubbed the charcoal stick between the patches of red and white on his face.