“table for two” still filthy with your predecessor’s crumbs). Seen on weekdays, around one P.M., saluting with dignity Argus-eyed East while maneuvering the car out of the garage and around the damned evergreens, and down onto the slippery road. Raising a cold eye from book to clock in the positively sultry Beardsley College library, among bulky young women caught and petrified in the overflow of human knowledge. Walking across the campus with the college clergyman, the Rev. Rigger (who also taught Bible in Beardsley School). “Somebody told me her mother was a celebrated actress killed in an airplane accident. Oh? My mistake, I presume. Is that so? I see. How sad.” (Sublimating her mother, eh?) Slowly pushing my little pram through the labyrinth of the supermarket, in the wake of Professor W., also a slow-moving and gentle widower with the eyes of a goat. Shoveling the snow in my shirt-sleeves, a voluminous black and white muffler around my neck. Following with no show of rapacious haste (even taking time to wipe my feet on the mat) my schoolgirl daughter into the house. Taking Dolly to the dentist—pretty nurse beaming at her—old magazines—ne montrez pas vos zhambes. At dinner with Dolly in town, Mr. Edgar H. Humbert was seen eating his steak in the continental knife-and-fork manner. Enjoying, in duplicate, a concert: two marble-faced, becalmed Frenchmen sitting side by side, with Monsieur H. H.’s musical little girl on her father’s right, and the musical little boy of Professor W. (father spending a hygienic evening in Providence) on Monsieur G. G.’s left. Opening the garage, a square of light that engulfs the car and is extinguished. Brightly pajamaed, jerking down the window shade in Dolly’s bedroom. Saturday morning, unseen, solemnly weighing the winter-bleached lassie in the bathroom. Seen and heard Sunday morning, no churchgoer after all, saying don’t be too late, to Dolly who is bound for the covered court. Letting in a queerly observant schoolmate of Dolly’s: “First time I’ve seen a man wearing a smoking jacket, sir—except in movies, of course.”
9
Her girl friends, whom I had looked forward to meet, proved on the whole disappointing. There was Opal Something, and Linda Hall, and Avis Chapman, and Eva Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not come—was perhaps not allowed to come—to our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis was a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silver fish eyelashes were less foxy than those of her likes—the great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry dark—a very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian who went to a select New England school with phoney British aspirations. Unfortunately, despite “that French kid’s uncle” being