Light in August - William Faulkner [53]
Exactly on the dot of the hour McEachern raised his head. “Do you know it now?” he said.
The boy did not move. “No,” he said.
McEachern rose, deliberately, without haste. He took up the watch and closed it and returned it to his pocket, looping the chain again through his suspender. “Come,” he said. He did not look back. The boy followed, down the hall, toward the rear; he too walked erect and in silence, his head up. There was a very kinship of stubbornness like a transmitted resemblance in their backs. Mrs. McEachern was in the kitchen. She still wore the hat, still carried the umbrella and the fan. She was watching the door when they passed it. “Pa,” she said. Neither of them so much as looked at her. They might not have heard, she might not have spoken, at all. They went on, in steady single file, the two backs in their rigid abnegation of all compromise more alike than actual blood could have made them. They crossed the back yard and went on toward the stable and entered. McEachern opened the crib door and stood aside. The boy entered the crib. McEachern took from the wall a harness strap. It was neither new nor old, like his shoes. It was clean, like the shoes, and it smelled like the man smelled: an odor of clean hard virile living leather. He looked down at the boy.
“Where is the book?” he said. The boy stood before him, still, his face calm and a little pale beneath the smooth parchment skin. “You did not bring it,” McEachern said. “Go back and get it.” His voice was not unkind. It was not human, personal, at all. It was just cold, implacable, like written or printed words. The boy turned and went out.
When he reached the house Mrs. McEachern was in the hall. “Joe,” she said. He did not answer. He didn’t even look at her, at her face, at the stiff movement of one half lifted hand in stiff caricature of the softest movement which human hand can make. He walked stiffly past her, rigidfaced, his face rigid with pride perhaps and despair. Or maybe it was vanity, the stupid vanity of a man. He got the catechism from the table and returned to the stable.
McEachern was waiting, holding the strap. “Put it down,” he said. The boy laid the book on the floor. “Not there,” McEachern said, without heat. “You would believe that a stable floor, the stamping place of beasts, is the proper place for the word of God. But I’ll learn you that, too.” He took up the book himself and laid it on a ledge. “Take down your pants,” he said. “We’ll not soil them.”
Then the boy stood, his trousers collapsed about his feet, his legs revealed beneath his brief shirt. He stood, slight and erect. When the strap fell he did not flinch, no quiver passed over his face. He was looking straight ahead, with a rapt, calm expression like a monk in a picture. McEachern began to strike methodically, with slow and deliberate force, still without heat or anger. It would have been hard to say which face was the more rapt, more calm, more convinced.
He struck ten times, then he stopped. “Take the book,” he said. “Leave your pants be.” He handed the boy the catechism. The boy took it. He stood so, erect, his face and the pamphlet lifted, his attitude one of exaltation. Save for surplice he might have been a Catholic choir boy, with for nave the looming and shadowy crib, the rough planked wall beyond which in the ammoniac and dryscented obscurity beasts stirred now and then with snorts and indolent thuds. McEachern lowered himself stiffly to the top of a feed box, spreadkneed, one hand on his knee and the silver watch in the other palm, his clean, bearded face as firm as carved stone, his eyes ruthless, cold, but not unkind.