Invisible man - Ralph Ellison [15]
"A pleasant fate," he repeated, "and I hope yours will be as pleasant."
"Yes, sir. Thank you, sir," I said, pleased that he wished something pleasant for me.
But at the same time I was puzzled: How could anyone's fate be pleasant? I had always thought of it as something painful. No one I knew spoke of it as pleasant -- not even Woodridge, who made us read Greek plays.
We were beyond the farthest extension of the school-owned lands now and I suddenly decided to turn off the highway, down a road that seemed unfamiliar. There were no trees and the air was brilliant. Far down the road the sun glared cruelly against a tin sign nailed to a barn. A lone figure bending over a hoe on the hillside raised up wearily and waved, more a shadow against the skyline than a man.
"How far have we come?" I heard over my shoulder.
"Just about a mile, sir."
"I don't remember this section," he said.
I didn't answer. I was thinking of the first person who'd mentioned anything like fate in my presence, my grandfather. There had been nothing pleasant about it and I had tried to forget it. Now, riding here in the powerful car with this white man who was so pleased with what he called his fate, I felt a sense of dread. My grandfather would have called this treachery and I could not understand in just what way it was. Suddenly I grew guilty at the realization that the white man might have thought so too. What would he have thought? Did he know that Negroes like my grandfather had been freed during those days just before the college had been founded?
As we came to a side road I saw a team of oxen hitched to a broken-down wagon, the ragged driver dozing on the seat beneath the shade of a clump of trees.
"Did you see that, sir?" I asked over my shoulder.
"What was it?"
"The ox team, sir."
"Oh! No, I can't see it for the trees," he said looking back. "It's good timber."
"I'm sorry, sir. Shall I turn back?"
"No, it isn't much," he said. "Go on."
I drove on, remembering the lean, hungry face of the sleeping man. He was the kind of white man I feared. The brown fields swept out to the horizon. A flock of birds dipped down, circled, swung up and out as though linked by invisible strings. Waves of heat danced above the engine hood. The tires sang over the highway. Finally I overcame my timidity and asked him:
"Sir, why did you become interested in the school?"
"I think," he said, thoughtfully, raising his voice, "it was because I felt even as a young man that your people were somehow closely connected with my destiny. Do you understand?"
"Not so clearly, sir," I said, ashamed to admit it.
"You have studied Emerson, haven't you?"
"Emerson, sir?"
"Ralph Waldo Emerson."
I was embarrassed because I hadn't. "Not yet, sir. We haven't come to him yet."
"No?" he said with a note of surprise. "Well, never mind. I am a New Englander, like Emerson. You must learn about him, for he was important to your people. He had a hand in your destiny. Yes, perhaps that is what I mean. I had a feeling that your people were somehow connected with my destiny. That what happened to you was connected with what would happen to me . . ."
I slowed the car, trying to understand. Through the glass I saw him gazing at the long ash of his cigar, holding it delicately in his slender, manicured fingers.
"Yes, you are my fate, young man. Only you can tell me what it really is. Do you understand?"
"I think I do, sir."
"I mean that upon you depends the outcome of the years I have spent in helping your school. That has been my life's work, not my banking or my researches, but my first-hand organizing of human life."
I saw him now, leaning toward the front seat, speaking with an intensity which had not been there before. It was hard not to turn my eyes from the highway and face him.
"There is another reason, a reason more important, more passionate and, yes, even more sacred than all the others," he said, no longer seeming to see me, but speaking to himself alone. "Yes, even more sacred than all the others. A girl, my daughter. She was a being more rare, more beautiful, purer, more perfect and more delicate than the wildest dream of a poet. I could never believe her to be my own flesh and blood. Her beauty was a well-spring of purest water-of-life, and to look upon her was to drink and drink and drink again . . . She was rare, a perfect creation, a work of purest art. A delicate flower that bloomed in the liquid light of the moon. A nature not of this world, a personality like that of some biblical maiden, gracious and queenly. I found it difficult to believe her my own . . ."