Hearing Secret Harmonies - Anthony Powell [16]
Isobel and I watched this rescue job from the Valley of Lost Things, to which another small item was added by the opening shot, St John Clarke’s portrait (butterfly collar, floppy bow tie), painted by his old friend, Horace Isbister, RA. A few minutes later, Isbister’s name appeared again, this time in an altogether unexpected connexion, only indirectly related to painting.
For some years now fashion had inclined to emphasize, rather than overlook, the sexual habits of the dead. To unearth anything about a man so discreet as St John Clarke had proved impossible, but Salvidge ventured to put forward the possibility that the novelist’s ‘fabulous parsimony’ had its origins in repressed homosexuality. Members then let off a mild bombshell. He suggested that the friendship with Isbister had been a homosexual one. The contention of Members was that the central figure in an early genre picture of Isbister’s – Clergyman eating an apple – was not at all unlike St John Clarke himself as a young man, Members advancing the theory that Isbister could have possessed a fetishist taste for male lovers dressed in ecclesiastical costume.
Quiggin questioned this possibility on grounds that Isbister had finally married his often painted model, Morwenna. Members replied that Morwenna was a lesbian. Gainsborough – who had never heard of Morwenna, and found some difficulty with the name – attempted to shift the discussion to St John Clarke’s politics. He was unsuccessful. Something of an argument ensued, Gainsborough’s German accent thickening, as he became more irritable. St John Clarke, rather a prudish man in conversation, would have been startled to hear much surmised, before so large an audience, on the subject of his sexual tastes. It was not a very exciting forty minutes, of which Ada was to be judged the star. Isbister’s portrait of his friend – perhaps more than friend – flashed on the screen again as finale.
‘Shall we stay for the News?’
‘All right.’
There was some routine stuff: the Prime Minister in a safety helmet at a smelting plant; royalty launching a ship; strike pickets; tornado damage. Then, from out of the announcer’s patter, a name brought attention – ’… Lord Widmerpool, where he was recently appointed the university’s chancellor …’
The last time I had seen Widmerpool, nearly ten years before, was soon after the troubles in which he had been involved: his wife’s grim end; official enquiries into his own clandestine dealings with an East European power. We had met in Parliament Square. He said he was making for the House of Lords. He looked in poor shape, his manner wandering, distracted. We had talked for a minute or two, then parted. Whatever business he had been about that morning, must have been the last transacted by him for a longish period. The following week he disappeared for the best part of a year. He was probably on his way to wind up for the time being his House of Lords affairs.
Pamela Widmerpool’s death, in itself, had caused less stir than might be supposed. Apart from the bare fact that she had taken an overdose in an hotel bedroom, nothing specially scandalous had come to light. Admittedly the hotel – as Widmerpool had complained in Parliament Square – had been a sordid one. Russell Gwinnett, the man with whom Pamela was believed to be in love, was staying there, but Gwinnett had an explicable reason for doing so, the place being a haunt of the novelist, X. Trapnel, whose biography he was writing. Pamela had occupied a room of her own. In any case her behaviour had long burst the sound barrier of normal gossip. It was thought even possible that, having heard of the hotel through Gwinnett, she had booked a room there as a suitably anonymous setting to close her final act. Sympathetic comment gave Pamela credit for that.
From the point of view of ‘news’, Gwinnett’s scholarly affiliations, adding a touch of drabness, detracted from such public interest as the story possessed. The suicide of a life peer’s wife obviously called for some coverage. That was likely to be diminished by the addition of professorial research work on a novelist unknown to the general public. The coroner went out of his way to express regret that a young American academic