Go tell it on the mountain - James Baldwin [13]
And he dropped his eyes to the mantelpiece, lifting one by one the objects that adorned it. The mantelpiece held, in brave confusion, photographs, greeting cards, flowered mottoes, two silver candlesticks that held no candles, and a green metal serpent, poised to strike. To-day in his apathy John stared at them, not seeing; he began to dust them with exaggerated care of the profoundly preoccupied. One of the mottoes was pink and blue, and proclaimed in raised letters, which made the work of dusting harder:
Come in the evening, or come in the morning,
Come when you’re looked for, or come without warning,
A thousand welcomes you’ll find here before you
And the oftener you come here, the more we’ll adore you.
And the other, in letters of fire against a background of gold, stated:
For God so loved the world, that He gave His only begotten Son, that whosoever should believe in Him should not perish, but have everlasting life.
John iii, 16
These somewhat unrelated sentiments decorated either side of the mantelpiece, obscured a little by the silver candlesticks. Between these two extremes, the greeting cards, received year after year, on Christmas, or Easter, or birthdays, trumpeted their glad tidings; while the green metal serpent, perpetually malevolent, raised its head proudly in the midst of these trophies, biding the time to strike. Against the mirror, like a procession, the photographs were arranged.
These photographs were the true antiques of the family, which seemed to feel that a photograph should commemorate only the most distant past. The photographs of John and Roy, and of the two girls, which seemed to violate this unspoken law, served only in fact to prove it most iron-hard: they had all been taken in infancy, a time and a condition that the children could not remember. John in this photograph lat naked on a white counterpane, and people laughed and said that it was cunning. But John could never look at it without feeling shame and anger that his nakedness should be here so unkindly revealed. None of the other children was naked; no, Roy lay in the crib in a white gown and grinned toothlessly into the camera, and Sarah, somber at the age of six months, wore a white bonnet, and Ruth was held in her mother’s arms. When people looked at these photograph and laughed, their laughter differ from the laughter with which they greeted the naked John. For this reason, when visitors tried to make advances to John he was sullen, and they, feeling that for some reason he disliked them, retaliated by deciding that he was a ‘funny’ child.
Among the other photographs there was one of Aunt Florence, his father’s sister, in which her ha