F. Scott Fitzgerald - Tender is the Night [15]
VII
In a pause Rosemary looked away and up the table where Nicole sat between Tommy Barban and Abe North, her chow’s hair foaming and frothing in the candlelight. Rosemary listened, caught sharply by the rich clipped voice in infrequent speech:
“The poor man,” Nicole exclaimed. “Why did you want to saw him in two?”
“Naturally I wanted to see what was inside a waiter. Wouldn’t you like to know what was inside a waiter?”
“Old menus,” suggested Nicole with a short laugh. “Pieces of broken china and tips and pencil stubs.”
“Exactly—but the thing was to prove it scientifically. And of course doing it with that musical saw would have eliminated any sordidness.”
“Did you intend to play the saw while you performed the operation?” Tommy inquired.
“We didn’t get quite that far. We were alarmed by the screams. We thought he might rupture something.”
“All sounds very peculiar to me,” said Nicole. “Any musician that’ll use another musician’s saw to—”
They had been at table half an hour and a perceptible change had set in—person by person had given up something, a preoccupation, an anxiety, a suspicion, and now they were only their best selves and the Divers’ guests. Not to have been friendly and interested would have seemed to reflect on the Divers, so now they were all trying, and seeing this, Rosemary liked everyone—except McKisco, who had contrived to be the unassimilated member of the party. This was less from ill will than from his determination to sustain with wine the good spirits he had enjoyed on his arrival. Lying back in his place between Earl Brady, to whom he had addressed several withering remarks about the movies, and Mrs. Abrams, to whom he said nothing, he stared at Dick Diver with an expression of devastating irony, the effect being occasionally interrupted by his attempts to engage Dick in a cater-cornered conversation across the table.
“Aren’t you a friend of Van Buren Denby?” he would say.
“I don’t believe I know him.”
“I thought you were a friend of his,” he persisted irritably.
When the subject of Mr. Denby fell of its own weight, he essayed other equally irrelative themes, but each time the very deference of Dick’s attention seemed to paralyze him, and after a moment’s stark pause the conversation that he had interrupted would go on without him. He tried breaking into other dialogues, but it was like continually shaking hands with a glove from which the hand had been withdrawn—so finally, with a resigned air of being among children, he devoted his attention entirely to the champagne.
Rosemary’s glance moved at intervals around the table, eager for the others’ enjoyment, as if they were her future stepchildren. A gracious table light, emanating from a bowl of spicy pinks, fell upon Mrs. Abrams’ face, cooked to a turn in Veuve Cliquot, full of vigor, tolerance, adolescent good will; next to her sat Mr. Royal Dumphry, his girl’s comeliness less startling in the pleasure world of evening. Then Violet McKisco, whose prettiness had been piped to the surface of her, so that she ceased her struggle to make tangible to herself her shadowy position as the wife of an arriviste who had not arrived.
Then came Dick, with his arms full of the slack he had taken up from others, deeply merged in his own party.
Then her mother, forever perfect.
Then Barban talking to her mother with an urbane fluency that made Rosemary like him again. Then Nicole. Rosemary saw her suddenly in a new way and found her one of the most beautiful people she had ever known. Her face, the face of a saint, a viking Madonna, shone through the faint motes that snowed across the candlelight, drew down its flush from the wine-colored lanterns in the pine. She was still as still.
Abe North was talking to her about his moral code: “Of course I’ve