F. Scott Fitzgerald - Tender is the Night [101]
In the summer father and son walked downtown together to have their shoes shined—Dick in his starched duck sailor suit, his father always in beautifully cut clerical clothes—and the father was very proud of his handsome little boy. He told Dick all he knew about life, not much but most of it true, simple things, matters of behavior that came within his clergyman’s range. “Once in a strange town when I was first ordained, I went into a crowded room and was confused as to who was my hostess. Several people I knew came toward me, but I disregarded them because I had seen a gray- haired woman sitting by a window far across the room. I went over to her and introduced myself. After that I made many friends in that town.”
His father had done that from a good heart—his father had been sure of what he was, with a deep pride of the two proud widows who had raised him to believe that nothing could be superior to “good instincts,” honor, courtesy, and courage.
The father always considered that his wife’s small fortune belonged to his son, and in college and in medical school sent him a check for all of it four times a year. He was one of those about whom it was said with smug finality in the gilded age: “very much the gentleman, but not much get-up-and-go about him.”
. . . Dick sent down for a newspaper. Still pacing to and from the telegram open on his bureau, he chose a ship to go to America. Then he put in a call for Nicole in Zurich, remembering so many things as he waited, and wishing he had always been as good as he had intended to be.
XIX
For an hour, tied up with his profound reaction to his father’s death, the magnificent façade of the homeland, the harbor of New York, seemed all sad and glorious to Dick, but once ashore the feeling vanished, nor did he find it again in the streets or the hotels or the trains that bore him first to Buffalo, and then south to Virginia with his father’s body. Only as the local train shambled into the low-forested clayland of Westmoreland County, did he feel once more identified with his surroundings; at the station he saw a star he knew, and a cold moon bright over Chesapeake Bay; he heard the rasping wheels of buckboards turning, the lovely fatuous voices, the sound of sluggish primeval rivers flowing softly under soft Indian names.
Next day at the churchyard his father was laid among a hundred Divers, Dorseys, and Hunters. It was very friendly leaving him there with all his relations around him. Flowers were scattered on the brown unsettled earth. Dick had no more ties here now and did not believe he would come back. He knelt on the hard soil. These dead, he knew them all, their weather-beaten faces with blue flashing eyes, the spare violent bodies, the souls made of new earth in the forest-heavy darkness of the seventeenth century.
“Good-by, my father—good-by, all my fathers.”
On the long-roofed steamship piers one is in a country that is no longer here and not yet there. The hazy yellow vault is full of echoing shouts. There are the rumble of trucks and the clump of trunks, the strident chatter of cranes, the first salt smell of the sea. One hurries through, even though there’s time; the past, the continent, is behind; the future is the glowing mouth in the side of the ship; the dim, turbulent alley is too confusedly the present.
Up the gangplank and the vision of the world adjusts itself, narrows. One is a citizen of a commonwealth smaller than Andorra, no longer sure of anything. The men at the purser’s desk are as oddly shaped as the cabins; disdainful are the eyes of voyagers and their friends. Next the loud mournful whistles, the portentous vibration and the boat, the human idea—is in motion. The pier and its faces slide by and for a moment the boat is a piece accidentally split off from them; the faces become remote, voiceless, the pier is one of many blurs along the water front. The harbor flows swiftly toward the sea.
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