Casanova's Chinese Restaurant - Anthony Powell [92]
‘This Maclintick business must have held up all work.’
‘As you can imagine, I have not done a stroke. I think Matilda and I may try and go away for a week or two, if I can raise the money.’
‘Where will you go?’
‘France, I suppose.’
The Morelands went abroad the following week. That Sunday, Isobel’s eldest sister, Frederica, rang up and asked if she could come to tea. This suggestion, on the whole a little outside the ordinary routine of things with Frederica, who was inclined to make plans some way ahead, suggested she had something special to say. As it happened, Robert, too, had announced he would look in that afternoon; so the day took on a distinctly family aspect. Frederica and Robert could be received at close quarters, be relied upon to be reasonably cordial to one another. That would not have been true of Frederica and Norah. Hugo was another dangerous element, preferably to be entertained without the presence of his other brothers and sisters. With Frederica and Robert there was nothing to worry about.
As soon as Frederica arrived, it was evident she had recently learnt something that had surprised her a great deal. She was a person of controlled, some – Chips Lovell, for example – thought even rather forbidding exterior; a widow who showed no sign of wanting to remarry and found her interests, her work and entertainment, in her tours of duty as Lady-in-Waiting. However, that afternoon she was freely allowing herself to indulge in the comparatively undisciplined relaxation of arousing her relations’ curiosity.
‘I expect you have heard of a writer called St John Clarke,’ she said, almost as soon as she had sat down.
This supposition, expressed by some of my friends, would have been a method of introducing St John Clarke’s name within a form of words intended to indicate that in their eyes, no doubt equally in my own, St John Clarke did not grade as a sufficiently eminent literary figure for serious persons like ourselves ever to have heard of him. The phrase would convey no sense of enquiry; merely a scarcely perceptible compliment, a very minor demonstration of mutual self-esteem. With Frederica, however, one could not be sure. She had received a perfectly adequate education, indeed rather a good one, to fit her for her position in life, but she did not pretend to ‘know’ about writing. Indeed, she was inclined to pride herself on rising above the need to discuss the ways and means of art in which some of her relations and friends interminably indulged.
‘I like reading books and going to plays,’ she had once remarked, ‘but I do not want to talk about them all the time.’
If Frederica had, in practice, wholly avoided an uninstructed predisposition to lay down the law on aesthetic matters, there would have been much to be said for this preference. Unhappily, you could never be certain of her adherence to such a rule of conduct. She seemed often to hold just as strong views on such matters as those who felt themselves most keenly engaged. Besides, her disinclination to discuss these subjects in general, left an area of uncertainty as to how far her taste, for example, in books and plays, had taken her; her self-esteem could be easily, disastrously, impaired by interpreting too literally her disavowal of all intellectual interests. In the same way, Frederica lumped together in one incongruous, not particularly acceptable agglomeration, all persons connected with painting, writing and music. I think she suspected them, in that time-honoured, rather engaging habit of thought, of possessing morals somehow worse than other people